全国政协委员梁晓声自20世纪90年代后期转向非虚构写作，从社会小_爱下问搜题

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问题选择题

全国政协委员梁晓声自20世纪90年代后期转向非虚构写作，从社会小切口观察、思考转型社会的生态。他说：“作家应该手握两支笔，一方面写文学作品，一方面对社会发言”。这说明（）

①文学创作要适应新情况、回答新问题 ②文化创新是社会发展的动力和源泉

③文学创作要增强社会责任感 ④非虚构作品是人民大众喜闻乐见的

A．①③

B．②④

C．②③

D．①④

答案

答案：A

题目分析：题中材料“从社会小切口观察、思考转型社会的生态”，体现了文学创作要适应新情况、回答新问题，故①项符合题意，可以入选；题中材料“作家应该手握两支笔，一方面写文学作品，一方面对社会发言”，体现了文学创作要增强社会责任感，故③项符合题意，可以入选；社会实践是文化创新的源泉和动力，故②项表述错误，不能入选；④项表述不科学且不符合材料主旨，故不能入选。因此，答案是A项。

单项选择题

当空气甲烷含量增加到（）时，会使人感到氧气不足，因缺氧窒息而失去知觉，直到死亡。

A.10%

B.8%

C.6%

D.4%

填空题

In the following passage, there are 25 blanks representing words that are missing from the context. You are to put back in each of the blanks with the missing word. Write your answers on the ANSWER SHEET. The time for this section is 25 minutes.
Compared with the immediate practical responsibility of the scientist, the (1) of the artist must seem puny. The decision which faces (2) is not one of practical action: of course he will try to throw this (3) into the scale, and that weight, if he is a writer or (4) a painter of genius, may have its effect. For the novelist—in our society the only artist who has a mass audience and at the same time effective economic control of the means of addressing (5) —the hope of some decisive influence is a reasonable (6) . For him, since he takes of all artists (7) is probably the largest portion of his culture as material, there is no (8) escape from the necessity for treating the content of his work seriously than (9) is for the social psychologist he is coming so closely to resemble. The dichotomy which people have tried to establish between artistic proficiency and (10) content is becoming unbearable to almost all sensitive minds. I doubt if it has ever been real— we might have admired Shelley as (11) if he had been indifferent to such things as war and tyranny, though I doubt it; certainly (12) he been indifferent we should never have been led by (13) .
There is no Hippocratic oath in literature, and I am not attempting to draw (14) up. As far as I am concerned, the artist is a human being writ large and his (15) are the ethics of any human being. Perhaps I can best illustrate (16) seems to me the new (17) of those duties of assertion and refusal from one writer, and I do not (18) it is without significance that this (19) projects the whole situation of choice into a scientific parable, the (20) of a pestilence: a (21) many human (22) are called to fight against, called not by any supernatural (23) but by the simple fact that the fight against a plague is (24) like a biological human (25) .