问题 填空题

Animation is a kind of motion pictures created by recording a series of still images-of drawings, objects, or people in various positions of incremental movement-that when played back no longer appear individually as static images but combine to produce the illusion of unbroken motion. The term animation applies to creations on film, video, or computers, and even to motion toys, which usually consist of a series of drawings or photographs on paper that are viewed with a mechanical device or by flipping through a hand-held sequence of images.
(41)Techniques
There are many ways to create animation, depending on whether the materials used are flat (such as drawings, paintings, or cut-out pieces of paper)or dimensional(such as clay, puppets, household objects, or even people).
(42)Production Process
After choosing an idea for a film, an animator must think about a concept in terms of individual actions.
(43)History
Animation has been a part of cinema history from the time the first motion pictures were made in the late 1800s.
(44)Walt Disney
The company’s founder, Walt Disney, was born in Chicago, Illinois, but grew up in Kansas City, Missouri, where he met animator Ub 1werks and composer Carl Stalling, who were to be important to his future success.
(45)Japanese Animation
Japanese animation, known as anime, blossomed after World War II(1939-1945)and today is immensely popular both within Japan and worldwide.
Current Trends
Two trends in the animation industry are likely to have a profound influence on its future:a significant increase in production and exhibition opportunities, and the growing importance of new technologies.
[A] Some early live-action films, known as trick films, used the animation technique of stop action, in which the camera is stopped and an object is removed or added to a shot before filming is resumed.
[B] Disney(with his then-partner Iwerks)created a character that was to become the most famous animated figure in history:Mickey Mouse.
[C] Aside from television, perhaps the largest influence on the style of recent animation worldwide has come from computer technologies. Experiments with electronic animation began in the 1930s, but it was not until the late 1970s that computer animation became viable beyond scientific and government applications, particularly for use by the entertainment industry.
[D] In each case, an animator must keep in mind the basic principle of frames per second(the number of images needed to produce one second of film). Because sound film runs at twentyfour frames per second, a film animator must make twenty-four images for each second of animation that he or she wishes to create.
[E] The most important historical figure in Japanese animation, Osamu Tezuka, created the first animated television series in Japan, " Tetsuwan Atom " (Astro Boy).
[F] For instance, if an animator decides on an action that will take 3 seconds of animation to complete, the animator will have to create images to fill 72 frames of film(3 seconds of movement multiplied by a running speed of 24 frames per second).

答案

参考答案:D;

解析:本篇从技术、制作过程、历史、迪斯尼和日本动画5个方面介绍了动画。注意每个正确的选项都有与标题相对应的文字。
因为41题所在段落提出“制作动画的方法取决于材料是平面的还是立体的两种情况”,D段首句的“In each case”从词汇上对“平面和立体两种情况”加以衔接,是典型的提示语。A段因为有“technique”一词和标题词汇重复,是一个干扰项,但仔细阅读就能发现,A段所讲的只是某一历史时期的一种“止动动画技术”,是特指而不是泛指,应排除掉。

选择题

瑞典皇家科学院诺贝尔奖评审委员会10月11日宣布,中国作家莫言获得2012年诺贝尔文学奖。据此回答小题。

小题1:瑞典文学院给莫言的评价:一个文风魔幻现实主义、满是乡土气息、融汇历史和现实的作家。莫言的魔幻不仅来自西方现代主义,也来自中国古典文学。莫言曾经自称为“妖精现实主义”。《生死疲劳》、《酒国》里的妖魔鬼怪,与《西游记》、《聊斋志异》的古典传统是密不可分的。这告诉我们

A.成功的艺术创作必须完整如实地反映客观对象

B.实现创作主题的意图,需要摆脱艺术创作规律的束缚

C.意识在作家的创作过程中起决定作用

D.既尊重艺术创作规律又充分发挥主观能动性,才能实现艺术整体化小题2:西方四大世界性通讯社之一法新社文章称,新科诺贝尔文学奖得主莫言的作品关注中国动荡的20世纪。他的作品带有政治意义,有着黑色、愤世嫉俗的幽默感。作品背景包括辛亥革命、抗日和中国内部的斗争等。莫言在海外最具知名度的作品是《红高粱》,讲述了中国上世纪20-30年代东部乡下的故事。莫言将他青春的经验和在家乡的经历放置在了作品中。这表明

①文学世界是创作者对客观存在的主观映象 ②文学世界中一切事物都不具有客观性

③文学创作具有主动创造性和自觉选择性 ④文学创作是意识能动改造世界的具体形式

A.①③

B.②④

C.①④

D.②③小题3:莫言获奖后对凤凰卫视表示:同样一部小说,张三认为是黄金,李四认为是马粪,不能说说是马粪的人就不对。所以谁说谁有多了不起,谁说谁多差根本没有必要认真。评判一个作家最好的办法不是听别人说这个作家怎么样,而是找这个作家的书读一两本,你自己会得出结论。这体现了

①认识活动是主观意识对客观事物的反映和思索

②认识可以因为对同一个客观对象理解的不同而不同

③认识对象具有能动的反映特性,是主观与客观的统一 

④认识可以摆脱客观事物的原貌,实现认识对象的创新

A.①②

B.②③

C.①④

D.③④

单项选择题