问题 阅读理解

阅读理解

     I am a good mother of three children.I have tried never to let my passion stand in the way of being a

good parent.

     I no longer consider myself the center of the universe.I show up.I listen.I try to laugh.I am a good

friend to my husband.I have tried to make marriage vows (誓言) mean what they say.I am a good friend

to my friends, and they to me.Without them, there would be nothing to say to you today.

     So here's what I want to tell you today:Get a life.A real life, not a desire of the next promotion (提升),

the bigger paycheck, the larger house.

     Get a life in which you are not alone.Find people you love, and who love you.And remember that love

is not leisure (休闲), it is work.Pick up the phone.Send an email.Write a letter.And realize that life is the

best thing and that you have no business taking it for granted.

     It is so easy to waste our lives, our days, our hours, and our minutes.It_is_so_easy_to_exist_instead_

of_to_live.I learnt to live many years ago.Something really, really bad happened to me, something that

changed my life in ways that, if I had my choice, it would never have been changed at all.And what I

learned from it is what, today, seems to be the hardest lesson of all.

      I learned to love the journey, not the destination.I learned to look at all the good in the world and try

to give some of it back because I believed in it, completely and totally.And I tried to do that, in part, by

telling others what I had learned.

     By telling them this:Read in the backyard with the sun on your face.Learn to be happy.And think of

life as a deadly illness, because if you do, you will live it with joy and passion (激情) as it ought to be

lived.

1. It can be inferred from the passage that________.

A. the author is a success in personal life

B. the author didn't try her best to work well

C. the author spent all her time caring for her children

D. the author likes traveling very much

2. How did the author form her view of life?

A. Through social experience.

B. By learning from her friends.

C. Through an unfortunate experience.

D. From her children and husband.

3. By the underlined sentence "It is so easy to exist instead of to live" in the fifth paragraph, the

    author really means that people tend to________.

A. make a living rather than live a real life

B. work rather than enjoy life

C. waste a lot in life

D. forget the most important lessons in life

4. What's the author's attitude toward work?

A. Do it well to serve others.

B. Earn enough money to make life better.

C. Try your best to get a higher position and a pay raise.

D. Don't let it affect your real life.

答案

1-4: ACAD

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If there were an Oscar for most consistently profitable Hollywood studio, it probably would go to 20th Century Fox. Hollywood is a hit-driven business, and most studios bounce from box-office hit to dud with depressing regularity. But for the past seven years, Fox has scored with both blockbusters (Alvin and the Chipmunks) and indie hits (Juno) that have generated the kind of double-digit return on investment you might expect from a business making widget’ s, not films. Tom Pollick, a former Universal Pictures chairman who produces movies for Fox and other studios, says. "Fox is simply the best-run studio in town. "
You were expecting anything less from Rupert Murdoch’s guys At Fox, the mantra is "to be creatively driven but fiscally astute," says James N. Gianopulos, who co-chairs the studio with Thomas Rothman of Fox Filmed Entertainment. Translation. to be almost pathologically obsessed with costs. Not that the co-chairs run from risk. They outbid most of Hollywood in 2004 for the script to the apocalyptic The Day After Tomorrow, but made it for $100 million, relatively cheap for a special-effects picture. It grossed more than half a billion dollars worldwide.
Double-digit profits are rare in Hollywood. Yet for the past six years, Fox has delivered 12% to 18% operating margins. Halfway through its fiscal year, it earned operating income of $ 765 million on nearly $ 3.6 billion in revenues—a 21.5% operating margin. And that doesn’t include Horton Hears a Who!, which grossed a hefty $ 45 million on its Mar. 14 opening weekend and was made for just over $ 85 million, nearly half what an animated Pixar Animation Studios film costs.
"No one in Hollywood negotiates tougher than these guys," says producer John Davis, who made I, Robot and Carfield: A Tale of Two Kitties for Fox. The hardballing starts with development, which Davis says typically costs Fox 10% to 15% less than usual because it holds the line on costly rewrites. On top of that, Fox rarely gives anyone but the biggies— Steven Spielberg, say—a piece of the profits. It also sets tough budgets and sticks with them. For his Lord of the Rings-esque Eragon, Davis had a $100 million budget, which forced him to cut some special effects and limit stars such as John Malkovich to cameos. It earned just $ 75 million domestically but did well globally.
Special effects often eat up an action film’s budget. Not at Fox. The studio learned its lesson 10 yeas ago with Titanic, which cost Fox and Paramount Pictures a then-unthinkable $ 200 million to make. After Titanic, Fox hired an in-house effects czar, whose main job is riding herd on special effects houses, often playing them against each other to get the best price. "They beat you over the head," says X-Men producer Avi Arad. "If it costs $ 30 million, they’ll ask why it can’t cost $ 20 million. " To keep downtime to a minimum, Arad used several shops on Fantastic 4: Rise of the Silver Surfer.
Fox’s biggest hits are its smallest films. Peter Rice runs the studio’s independent unit, Fox Searchlight Pictures, which is in the business of finding tiny films, like Little Miss Sunshine, that were made on a shoestring. Rice’s limit: $15 million. His latest triumph: Juno. It cost $ 7. 5 million to produce and pulled in $135 million-plus in the U. S. alone.
Which brings us to marketing, an expense that has been known to account for one-third of a film’s overall budget. While executives say they pay full freight for ads on Foxe’s farflung global properties, their stars pop up all over. Samudl L. Jackson, who starred in the flick Jumper, walked the carpet at the Super Bowl on the Fox Network. And wasn’t that Jim Carrey, who provided Horton’s voice, recently grinning insanely in the audience of Fox’s megahit American Idol
Fox has stumbled before. Its 2005 picture Kingdom of Heaven bombed in the U. S and cost a very unFoxlike $130 million to make. But even then, Fox turned things around. It had loaded the film with international stars, including Orlando Bloom, so it made enough outside the U.S. to break even.

Explain Gianopulos’ comment that "At fox, the mantra is ’to be creatively driven but fiscally astute’". (para. 2)