问题 单项选择题

王大与王二系亲兄弟,王大独身无子,王二提出将他的三儿子王钢过继给王大,王大未置可否。事后王大仍然独立生活,王钢也从未对大伯尽义务,也没有一起生活过。当王钢准备结婚时,向王大要钱盖房子结婚。王大不肯给,王钢不甘心,于是发生争议,王大诉请法院判决他与王钢不存在继父子关系。关于本案的叙述,正确的是( )。

A.王大与王钢的诉讼为变更之诉

B.王大与王钢的诉讼为消极给付之诉

C.王大与王钢的诉讼为消极确认之诉

D.王大与王钢的诉讼为形式之诉

答案

参考答案:C

解析:依照当事人诉讼请求的目的和内容不同,可以将诉分为确认之诉、给付之诉和变更之诉。确认之诉旨在请求人民法院确认当事之间一定的民事法律关系是否存在的诉讼;以请求的目的性,分为积极的确认之诉和消极的确认之诉。给付之诉是旨在要求被告履行一定的民事义务的诉讼。 变更之诉旨在请求改变或消灭一定民事法律关系的诉讼。题中,原告王大请求法院确认他与被告不存在继父子关系,因而是消极的确认之诉。依此,C项正确。

单项选择题 A1/A2型题
阅读理解

阅读理解

    For anyone who is determined to be a fashion (时尚) designer, it is not enough to have succeeded in

college. The real test is whether they can survive, and become established during their eady 20s, making

a name for themselves in the real world where business skills can be as important as talent and creativity.

     Fashion is a hard business. There is a continuous amount of stress because work is at a constant and

extremely fast speed to prepare for the next season's collections. It is extremely competitive and there is

the constant need to make attractive advertisements of the latest fashion in newspapers and magazines. It

also requires continual freshness because the appetite for new ideas is hard to satisfy. "We try to warn

people before they come to us about how tough it is."says Lydia Kemeny, the Heed of Fashion at St.

Martin's School of Art in London. "And we point out that drive and determination are absolutely

necessary."

     This may seem far removed from the popular opinions of fashionable young people spending their

time designing pretty dresses. That may well be what they do in their first year of study but a good

college won't be slow in introducing students to commercial realities. "We don't walk our foot on the

blossoming (绽放的) flower of creativity but in the second year we start introducing the restrictions of

price, producing abitity,marketing and so on."

      Almost all fashion design is done to a brief. It is not a form of selfexpression as such, although there

is certainly room for imagination and creativity. Most young designers are going to end up as employees

of a producer or a fashion house and they still need to be able to work within the characteristic style ot

their employer. Even those students who are most modern in their own taste of clothes may need to adapt

to produce designs which are right for the mainstream of market. They also have to be able to work at

both the expensive and the cheap end of the market and the challenge to produce good design

inexpensively may well be demanding.

1. Which of the following is mainly discussed in the passage?

A. Talent in fashion.

B. Good marks at college.

C. Ability to create new designs.

D. Business skills in fashion industry.

2. What can we learn from the second paragraph?

A. Fashion designers are highly motivated and really determined.

B. Good preparations for the next season can reduce stress.

C. Consumers' appetite for new ideas keeps changing.

D. Advertisament business is very competitive.

3. How does St.Martin's School of Art train her students of fashion?

A. To encourage the new students to design freely with imagination.

B. To require students to develop their creativity in their designing.

C. To demand students to make pretty dresses for companies.

D. To offer commercial courses for the new students.

4. What does the underlined word "this" in Paragraph 3 refer to?

A. Lydia Kemeny's opinion.

B. The competitive business world.

C. The warning to the young designers.

D. The real situation in fashion industry.