问题 选择题

由于拓宽马路,需要拆迁房屋。老吴因拆迁补偿问题与拆迁办工作人员发生争执。老吴对拆迁不满,于是将有关情况写了一张大字报贴在拆迁办的墙上。老吴的做法是(    )

A.正确的,维护自己的合法权益,可以不择手段

B.可以理解的,是维护自己合法权益的有效方式

C.错误的,应通过合法渠道反映意见,维护自己的合法权益

D.错误的,对侵犯自己合法权益的行为忍了算了

答案

答案:C

题目分析:公民在行使监督权的时候,要在法律允许的范围内行使,应当实事求是,以事实为依据,如实反映情况,必要时出事证据和各种证明材料。不能采用贴大字报、聚众闹事的方法;不得捏造或者歪曲事实进行诬告陷害;不得损害国家的、社会的、集体的利益和其他公民的合法的自由和权利。材料中老吴的做法是错误的,所以A、B说法不正确,当我们的合法权益受到非法侵害时,既不能忍气吞声,也不能打击报复,应该运用法律武器来保护自己的合法权益,,D答案错误,正确答案为C。

填空题
单项选择题

Narrative crept back into art through a side door marked fashion photography. In April 1967, French Vogue published a spread by Bob Richardson, the American photographer, that soon became a legend Informally christened " the Greek trip " by Richardson’s admirers, the spread featured Donna Mitchell, a striking brunet model, hanging out on the Aegean island of Rhodes with a male companion.

Of course, narrative never disappeared—it just went to the movies, and stayed, and stayed. But what had caused stories to be exiled from high art The idea of essence, and the equation of essence with goodness. Can you imagine Visual art is essentially composed of form, color, materials. Anything to do with content is extraneous and therefore to be associated with badness; therefore to be eliminated. Moreover, content, says this line of thought, is controlling. This means that a rose is the Virgin Mary (depending on what the meaning of " is " is). And art, like society, must be liberated from such hierarchically imposed values. What this argument overlooked, of course, is that narrative is a form in itself, not just a vehicle for content. Indeed, the ideology of formalism originated, in Soviet Russia, with the analysis of old folk tales. Narrative form, the analysis went, typically proceeds from an initial state of equilibrium through a series of destabilizing episodes, concluding with a heightened state of equilibrium at the end. Think Indiana Jones. You can plug whatever content you want in there as long as it creates the form. Each episode simply has to do with the work of creating disequilibrium.

A narrative does not, in other words, tell a story. A story is told to give listeners the pleasure of the narrative form. If you were to isolate the form of disequilibrium from the specifics of plot, you might arrive at something resembling the collected work of Cindy Sherman. Initially modeled after movie stills, Sherman’s pictures are not, of course, abstract. Over the years, in fact, their content has become increasingly elaborate. I see this as a form of generosity as well as a sign of advanced technical skills. Not since Giuseppe Arcimboldo (1527-1593), perhaps, has an artist contrived to turn the human figure into a more bountiful cornucopia for the eye.

Yet even the most visually splendid of Sherman’s images are minimalist, in that they reduce the narrative down to the precise moment when the center of gravity shifts. Perhaps some unheard word is spoken. A floorboard squeaks. From upstairs comes a thump. And a tentative state of equilibrium gives way to anxiety or dread. That moment, too, represents essence. What more do you need to know

People who support the idea of essence most probably agree that()

A. narrative is only a vehicle for content

B. art develops with its own values

C. Virgin Mary can be metaphorized as a rose

D. content should be eliminated for its narrative form