问题 阅读理解与欣赏

阅读选段,完成下面的题。  

  她也是一个美丽动人的姑娘,好像由于命运的差错,生在一个小职员的家里。她汶有陪嫁的资产,也没有什么法子让一个有钱的体面人认识她、了解她、爱她、娶她;最后只得跟教育部的一个小书记结了婚。

  她不能够讲究打扮,只好穿得朴朴素素,但是她觉得很不幸,好像这降低了她的身份似的。因为在妇女,美丽、丰韵、娇媚,就是她们的出身;天生的聪明、优美的资质、温柔的性情,就是她们唯一的资格。

  她觉得她生来就是为着过高雅和奢华的生活,因此她不断地感到痛苦。住宅的寒伧,墙壁的黯淡,家具的破旧,衣料的粗陋,都使她苦恼。这些东西,在别的跟她一样地位的妇人,也许不会挂在心上,然而她却因此痛苦,因此伤心。她看着那个替她做琐碎家事的勃雷大涅省的小女仆,心里就引起悲哀的感慨和狂乱的梦想。她梦想那些幽静的厅堂,那里装饰着东方的帷幕,点着高脚的铜灯,还有两个穿短裤的仆人,躺在宽大的椅子里,被暖炉的热气烘得打盹儿。她梦想那些宽敞的客厅,那里张挂着古式的壁挂,陈设着精巧的木器,珍奇的古玩。她梦想那些华美的香气扑鼻的小客室,在那里,下午五点钟的时候,她跟最亲密的男朋友闲谈,或者跟那些一般女人所最仰慕最乐于结识的男子闲谈。

  每当她在铺着一块三天没洗的桌布的圆桌边坐下来吃晚饭的时候,对面,她的丈夫揭开汤锅的盖子,带看惊喜的神气说:“啊!好香的肉汤!再没有比这更好的了!……”这时候,她就梦想到那些精美的晚餐,亮晶晶的银器;梦想到那些挂在墙上的壁挂,上面绣着古装人物、仙境般的园林、奇异的禽鸟;梦想到盛在名贵的盘碟里的佳肴;梦想到一边吃着粉红色的鲈鱼或者松鸡翅膀,一边带着迷人的微笑听客人密谈。

  她没有漂亮服装,没有珠宝,什么也没有。然而她偏偏只喜爱这些,她觉得自己生在世上就是为了这些。她一向就向往着得人欢心,被人艳羡,具有诱惑力而被人追求。

1.课文开头说“她也是一个美丽动人的姑娘”,其中的“也”字起了什么作用?

                                                                                       

2.玛蒂尔德整天痛苦的原因是什么?

                                                                                        

答案

1.用“也”暗示其他许多美丽动人的姑娘因为东世比较好,过上了幸福生活,丽玛蒂尔德却因家世不好不能过好日子。说明女人靠美貌改变生活处境、社会地位在当时的社会是常见现象,也间接点出玛蒂尔德内心痛苦的原因。

2.玛蒂尔德天生丽质,但却因为家境贫寒而没有嫁人好人家,只能嫁一个小职员。她认为自己美丽动人,天生就应该过奢华的日子,向往着褥人欢心、被人艳羡的日子。但这些都不能实现,因此她非常痛苦。

阅读理解

In many ways, the earliest periods of photography are the most satisfying. Learning to use the controls is easy and comes quickly, and you can measure the results in terms of sharp and correctly developed pictures. Once you have mastered that, you can start on the second step of your photographic work. Using these basic skills in the wide variety of situations to give the pictures you want, noticing what you see through the viewfinder and turning that into the most effective picture becomes totally interesting.

All good photographs have one thing in common: there is no doubt what the subject of the picture is meant to be. Every photographer must use those same standards to his or her work, not only to finished results but to the subject before he or she takes it. Always work out quite clearly what the subject of the picture is to be and why you are taking the picture. For example, "I am going to take a picture of this street to show the different styles and ages of the buildings and that people have been living, working and shopping in them since time began." By doing this you have a better idea of what to include in the picture and what to leave out. How often have you been shown photographs taken by people away on a trip somewhere? The judgment is always similar, something about "the car park is out of the picture to the left", or "you can't quite see from this picture but if you go up the street". The photographs are usually collections of buildings, people, parked cars, possibly a distant look of an ancient church, and best of all, a figure which you are told is Aunt Henrietta, disappearing in the middle distance. When photographers show you their pictures, they have a clear idea of what they want to bring to your attention, but it often does not appear in the picture. If they had given just a little of their time to think about their future judgment before taking the picture, then the picture would relate its own story. Good pictures can show their subjects quickly and easily.

64. What does the author mean by saying "in many ways, the earliest periods of photography are the most satisfying"?

A. The skills of photography are not as satisfactory nowadays as before.

B. The earliest pictures were the best pictures people have ever taken.

C. The present-day photography depends more on technology than on art.

D. Learning to produce a sharp and correctly developed picture is only the first step in photography and is easily learned.

65. What will it bring you if you decide the purpose of the photograph in advance?

A. It will allow you to leave out unnecessary material.

B. It will allow you to stand in the best place.

C. It will help you to vary the subjects of your pictures.

D. It means you will waste less time.

66. Many photographers fail because ______.

A. their pictures include both buildings and people    

B. everything is not clear in their pictures

C. the subjects of their pictures are not obvious

D. the explanation given for their pictures is mistaken

67. What book is this passage most likely taken from?

A. A book on photography for news reporters.   B. A book on how to photograph people.

C. A book on choosing the right camera.           D. A book on improving photographic techniques.

单项选择题