问题 多项选择题

下列关于出租人对融资租赁会计处理的表述中,正确的有()

A.企业可以在分析应收租赁款的风险程度和回收的可能性后,以应收融资租赁款全额为基础对应收融资租赁款计提坏账准备

B.实际收到的或有租金,应计入当期营业外收入

C.采用实际利率法按期计算确定的租赁收入,借记“未实现融资收益”科目,贷记“租赁收入”科目

D.资产负债表日,确定未担保余值发生减值的,按应减记的金额,借记“资产减值损失”科目,贷记“未担保余值减值准备”科目。未担保余值价值以后又得以恢复的,应在原已计提的未担保余值减值准备金额内,按恢复增加的金额,借记“未担保余值减值准备”科目,贷记“资产减值损失”科目

E.当有确凿证据表明未担保余值已经减少,应重新计算租赁内含利率,并将由此而引起的租赁投资净额的减少确认为当期损失

答案

参考答案:C, D, E

解析:

选项A,企业应以应收融资租赁款减去未实现融资收益的差额部分为基础对应收融资租赁款计提坏账准备;

选项B,实际收到的或有租金,应计入当期收入(租赁收入)。

【该题针对“出租人对融资租赁的处理”知识点进行考核】

单项选择题
填空题


In the following passage, there are 25 blanks representing words that are missing from the context. You are to put back in each of the blanks with the missing word. Write your answers on the ANSWER SHEET. The time for this section is 25 minutes.
Compared with the immediate practical responsibility of the scientist, the (1) of the artist must seem puny. The decision which faces (2) is not one of practical action: of course he will try to throw this (3) into the scale, and that weight, if he is a writer or (4) a painter of genius, may have its effect. For the novelist—in our society the only artist who has a mass audience and at the same time effective economic control of the means of addressing (5) —the hope of some decisive influence is a reasonable (6) . For him, since he takes of all artists (7) is probably the largest portion of his culture as material, there is no (8) escape from the necessity for treating the content of his work seriously than (9) is for the social psychologist he is coming so closely to resemble. The dichotomy which people have tried to establish between artistic proficiency and (10) content is becoming unbearable to almost all sensitive minds. I doubt if it has ever been real— we might have admired Shelley as (11) if he had been indifferent to such things as war and tyranny, though I doubt it; certainly (12) he been indifferent we should never have been led by (13) .
There is no Hippocratic oath in literature, and I am not attempting to draw (14) up. As far as I am concerned, the artist is a human being writ large and his (15) are the ethics of any human being. Perhaps I can best illustrate (16) seems to me the new (17) of those duties of assertion and refusal from one writer, and I do not (18) it is without significance that this (19) projects the whole situation of choice into a scientific parable, the (20) of a pestilence: a (21) many human (22) are called to fight against, called not by any supernatural (23) but by the simple fact that the fight against a plague is (24) like a biological human (25) .