问题 选择题

徐悲鸿偏爱画马,听马蹄得得,看马迎风奔驰,他觉得是一种精神享受,心仿佛在和马一同驰骋。这表明,作为对世界的一种反映形式的艺术作品

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A.受到艺术家生活环境的深刻影响

B.源自于艺术家的技艺和艺术天分

C.离不开艺术家的生活感悟和情感

D.取决于艺术家的执着努力和勤奋

答案

答案:C

阅读理解

The first time I saw Jim Wooten I really understood him. He was a great TV news reporter. When he was reporting in Rwanda, one heartbreaking moment made a deep impression on me. When the camera showed all of the children who were dying, suffered from terrible diseases, Jim ended his piece by saying that when he got home, the first thing he was going to do was to put his arms around his own children. Then I realized that he was different, that he didn’t fall into any of the modern television-news tricks, that he was not giving us any awful, artificial(假的) television-journalist reports out of(出于) pity. Instead, I was watching a real reporter with a gift(天赋) for both words and slight differences.

Then I read his book, We Are All the Same, about his friendship with Xolani Nkosi, a South African boy who became the international spokesman for AIDS(艾滋病). It is about the friendship between Wooten and a black child who was ten years old and already dying of AIDS. It is also a book about a great teacher and his student. But the teacher-the one with real wisdom and understanding about life-is the little boy, not the journalist. And, finally, it’s about a love story of Gail Johnson, Nkosi’s white mother who does her best to save the boy, and their love for each other. When reading the book, I felt touched from time to time.

小题1:How did Jim Wooten feel when he saw the dying children in Rwanda?

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小题2:What would an ordinary journalist do on TV when he saw these dying children?

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小题3:How did Jim end his piece when he saw the dying children in Rwanda?

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小题4:Who is the teacher in the book, the little boy or the journalist?

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小题5:Why did Nkosi’s mother do everything possible to save the boy?

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小题6:What’s the writer’s attitude to Jim Wooten? How do you know that?

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多项选择题