问题 单项选择题

It was the best of times or, depending on your political and philosophical outlook, one of the foulest and most depraved. Rebellion seemed to be leaping from city to city, continent to continent, by some fiery process of contagion. Radical students filled the streets of Mexico city, Berlin, Tokyo, Prague. In the U. S. , Chicago swirled into near anarchy as cops battled antiwar demonstrators gathered at the Democratic Convention. And everywhere from Amsterdam to Haight-Ashbury, a generation was getting high, acting up.

So, clearly, it was the year from hell--a collective "dive into extensive social and personal dysfunction," as the Wall Street Journal editorialized recently. Or, depending again on your outlook, a global breakthrough for the human spirit. On this, the 25th anniversary of 1968, probably the only thing we can all agree on is that ’68 marks the beginning of the "culture wars," which have divided America ever since.

Both the sides of the "culture wars" of the ’80s and ’90s took form in the critical year of’68. The key issues are different now--abortion and gay rights, for example, as opposed to Vietnam and racism--but the underlying themes still echo the clashes of ’68: Diversity vs. conformity, tradition vs. iconoclasm, self-expression vs. deference to norms. "Question authority," in other words, vs. "Father knows best."

The 25th anniversary of ’68 is a good time to reflect, calmly and philosophically, on these deep, underlying choices. On one hand we know that anti-authoritarianism for its own sake easily degenerates into a rude and unfocused defiance: Revolution, as Abbie Hoffman put it, "for the hell of it." Certainly ’68 had its wretched excesses as well as its moments of glory: the personal tragedy of lives undone by drugs and sex, the heavy cost of riots and destruction. One might easily conclude that the ancient rules and hierarchies are there for a reason--they’re worked, more or less, for untold millenniums, so there’s no point in changing them now.

But it’s also true that what "worked" for thousands of years may not be the best way of doing things. Democracy, after all, was onee a far-out, subversive notion, condemned by kings and priests. In our own country, it took all kinds of hell-raising, including a war, to get across the simple notion that no person is morally entitled to own another. One generation’s hallowed tradition--slavery, or the divine right of kings--may be another generation’s object lesson in human folly.

’68 was one more awkward, stumbling, half-step forward in what Dutschke called the "long march" toward human freedom. Actually, it helped inspire the worldwide feminist movement.

Different generations of Americans may be best divided with regard to()

A. their world outlook

B. long-held traditions

C. their own privileges

D. social institutions

答案

参考答案:A

单项选择题
阅读理解与欣赏
童趣
沈复
  余忆童稚时,能张目对日,明察秋毫,见藐小之物必细察其纹理,故时有物外之趣。
  夏蚊成雷,私拟作群鹤舞于空中,心之所向,则或千或百,果然鹤也;昂首观之,项为之强。又留蚊于素帐中,徐喷以烟,使之冲烟而飞鸣,作青云白鹤观,果如鹤唳云端,为之怡然称快。
  余常于土墙凹凸处,花台小草丛杂处,蹲其身,使与台齐;定神细视,以丛草为林,以虫蚁为兽,以土砾凸者为丘,凹者为壑,神游其中,怡然自得。
  一日,见二虫斗草间,观之,兴正浓,忽有庞然大物,拔山倒树而来,盖一癞虾蟆,舌一吐而二虫尽为所吞。余年幼,方出神,不觉呀然一惊。神定,捉虾蟆,鞭数十,驱之别院。
1、指出下列句中“之”字各指代何种事物。
(1)昂首观之:________________
(2)观之,兴正浓:____________
(3)驱之别院:________________
2、本文开头总说“物外之趣”,然后记叙了三件趣事,描绘了四幅图画,这四幅图画依次是:______、
_______、________、________。
3、想象奇特是本文的一个特点,请完成下面表格,将被想象物与想象物意义对应起来。
序号 被想象物 想象物
(1) 蚊群
(2) 蚊群冲烟飞鸣
(3)  树林
(4) 野兽
(5)  土砾凸者
(6) 土砾凹者
4、选出下列对本文语言的分析不正确的一项
[ ]
A、“夏蚊成雷”,写出了蚊虫之多,轰鸣之响,并运用了比喻的修辞手法。
B、“舌一吐而二虫尽为所吞”,“吐”和“吞”两个动词极为生动地表现了癞蛤蟆捕虫动作的迅速、准确。
C、“冲烟而飞鸣”的“冲”自,让人想见蚊群在烟雾中乱飞乱闯的情状。
D、“鹤唳云端”的“唳”字,让人听到了鹤翔云端高亢的鸣叫,用词很准确。
5、读选文后,你认为要怎样才能拥有“物外之趣”?
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