问题 单项选择题

It is not just Indian software and "business-process outsourcing" firms that are benefiting from the rise of the internet. Indian modern art is also on an upward spiral, driven by the aspirations of newly rich Indians, especially those living abroad, who use the internet to spot paintings and track prices at hundreds of gallery and auction websites. Prices have risen around 20-fold since 2000. particularly for prized names such as Tyeb Mehta and F.N. Souza.

There would have been "no chance" of that happening so fast without the internet, says Arun Vadehra, who runs a gallery in Delhi and is an adviser to Christie’s, an international auction house. He expects worldwide sales of Indian art, worth $ 200million last year, to double in 2006. It is still a tiny fraction of the $ 30 billion global art market, but is sizeable for an emerging market.

For newly rich--often very rich--non-resident Indians, expensive art is a badge of success in a foreign land." Who you are, and what you have, are on your walls," says Lavesh Jagasia, an art dealer in Mumbai. Indian art may also beat other forms of investment. A painting by Mr. Mehta that fetched $ 1.58 million last September would have gone for little more than $ 100 000 just four years ago. And a $ 22million art-investment fund launched in July by Osian’s, a big Indian auction house, has grown by 4.1% in its first two months.

Scant attention was paid to modern Indian art until the end of the 1990s. Then wealthy Indians, particularly those living abroad, began to take an interest. Dinesh Vazirani, who runs Saffronart, a leading Indian auction site, says 60% of his sales go to buyers overseas.

The focus now is on six auctions this month. Two took place in India last week; work by younger artists such as Surendran Naif and Shibu Natesan beat estimates by more than 70%. Sotheby’s and Christie’s have auctions in New York next week, each with a Tyeb Mehta that is expected to fetch more than $ 1 million. The real question is the fate of other works, including some by Mr. Souza with estimates of up to $ 600 000. If they do well, it will demonstrate that there is p demand and will pull up prices across the board. This looks like a market with a long way to run.

According to the text, the fortune of such works as Mr. Souza’ s can exert an influence on ()

A. the creation of modern art

B. production of younger artists

C. the p rejection of market policy

D. the value of Indian modern art

答案

参考答案:D

解析:

[考点解析] 这是一道细节总结和归纳题型,测试考生对原文细节的总结归纳能力以及捕捉句中重点信息的能力。本题答案信息的来源在尾段的倒数第二、三句,其大意是:“其正的问题是其他艺术作品的命运,包括二些Souza先生的作品,他的作品估价高达10万美金。如果这些作品卖得好,就会表明对印度现代艺术需求大,同时还会提高印度现代艺术的整体价格”。由此可以推断本题的正确选项应该是D。考生在阅读时要注意理解原文上下句之间的含义,同时还要合理选取句子中的重要测试信息。

阅读理解与欣赏

       草地上的担架:一条腿的周团长倒在担架上,两个抬担架的战士坐在地上,饿得连头都抬不起来了。

       周团长拿起身边那袋所剩不多的炒面,看着低头坐在担架前边的那个战士,无力地:“小同志,你吃一口吧?”

       担架前边的战士依然无声地低着头。

       周团长自语地:“他可能睡着了。”他吃力地转过身,看着坐在担架后边的那个战士:“小同志,你把它吃了吧?” 

       这个战士无力地说:“周团长……我,不行了,你吃了它……还能走出草地……”

       周团长生气地:“我是个残废,吃了它也走不出草地去。”

       这个战士:“不!不……”

       周团长痴痴地看着担架旁边的水塘,似在自语:“他们都是因为我呀……”

       这个战士连说话的力气都没有了,只能微微摇头。周团长依然在自语:“他们还年轻,应该活下来……”沉吟片时,突然把手中所剩不多的那袋炒面扔到战士面前,毅然从担架上爬下来,艰难地向水塘爬去。

        战士微微地睁开眼,看见周团长吃力地爬向水塘,他本能地拿起那袋所剩不多的炒面,蓦地站起,又倒在了担架旁边。

       周团长回身看了看再也爬不起来的战士,又转过身全力向水塘爬去。

1.文中哪些词语表明周团长选择了死亡是经过深思熟虑的?

                                                                                                                                           

2.处于极度饥饿中的周团长和战士互相推让炒面,表现了他们怎样的品质?

                                                                                                                                                                

3.作为攻占娄山关的英雄周团长,没有勇往直前,却爬进水塘赴死。对此你是怎么看的?

                                                                                                                                                                

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