问题 填空题

Part of the debate about culture revolves around issues of perspective and ownership. Within a nation such (1) the United States—a nation whose cultural heritage includes elements from every corner of the world (2) are a great many perspectives coexisting and intertwining in the cultural fabriC.When we all ask (3) as individuals, "what belongs to me, to my culture " we are rewarded with a spectacular variety of (4) ; in this way, different perspectives and ownership of different cultural traditions enriches everyone. But when we ask " (5) belongs to us, to our culture " we ask a much harder question. Do the people of the (6) States, or of any culturally complex human society, necessarily share common cultural elements If so, who gets (7) decide what those elements are
This debate is a crucial one in many cultures throughout the world (8) . In the US, the debate promises to impact the way we educate our children—that is, (9) manner and shape in which culture reproduces itself—and the way we write our laws. In (10) countries, equally crucial issues are at stake.
For many people, what is at stake is the character (11) US national identity. Hirsch argues that this identity needs to become less culturally fragmented; others, like Walker, (12) that the national character gets its strength from cultural diversity, from the freedom (at home and in (13) ) to celebrate, honor, and reproduce different cultural traditions. Those who take this latter view follow the reasoning (14) Shweder, arguing that we need to accept that there are multiple valid cultural perspectives and that two (15) perspectives can both be valid even though they might contradict one another.
Recognize that the position you (16) in this debate about culture—whatever position you take—is a political one with implications (17) what we should value, what we should praise, what we should accept, what we should teach. When (18) reflect on this debate, when you contribute your own voice to the discussion, try to be (19) of the implications that follow from your position. When you listen to the voices of others, try to (20) with awareness, deciding for yourself what is at stake and how their positions relate to your own.

答案

参考答案:schools

阅读理解与欣赏

阅读下面节选文字,回答问题。

  老人  回吧,回去等你爹。

  男孩  ——哎,爹带巧克力回来,我分你吃。(踌躇欲下,又垂头丧气站住)

  老人  怎么了?

  男孩  爹不会回来了。

  老人  噢?

  男孩  我爹在城里又有了一个家。老人  上前抚着男孩的头。

  男孩  爷爷,我没有巧克力给你吃了。

  老人  咱们有枣儿,我们吃枣儿。

  老人  将枣儿塞进男孩嘴里,自己也拿起枣儿咀嚼。

  老人  (见男孩不动)快吃,快吃,几颗枣儿一起吃,使劲吃。

  男孩  (掀起外衣,露出红肚兜上的衣袋)爷爷,我瞒着你,还偷偷藏着一颗枣儿,是留给我爹的……

  老人  (愣住,继而激动不已)这地上的、匾子里的、树上的枣儿全是你的。想给你爹留多少就留多少。

  男孩  不,还是留给枣儿叔叔吧。爷爷,枣儿叔叔会回来的。

  老人  紧紧搂住男孩。

  男孩  我娘说,出远门的人有时候不认识回家的路了,只要家里人天天喊,他早晚会回来的。

  老人  那,咱们喊喊?男孩  喊喊!我先喊!(爬到土坡上,使劲儿喊)枣儿甜,枣儿香,要吃枣儿喊爹娘;爹娘给个竹竿竿,打下枣儿一片片:爹不吃,娘不吃,留给娃娃过年吃。

  二人翘首远望,状如雕塑。响起无数个童声呼唤声。

1、品味小男孩的语言,说说体现了男孩怎样的性格?

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2、“愣住,继而激动不已”“紧紧搂住男孩”“将枣儿塞进男孩嘴里,自己也拿起枣儿咀嚼”,这些文字在剧本中叫做什么?它们是不是可有可无的?

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3、“我娘说,出远门的人有时候不认识回家的路了”,你能体会出其中的言外之意吗?

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4、“二人翘首远望,状如雕塑。响起无数个童声呼唤声。”联系全剧,说说这样的结尾的表达效果。

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5、在你身边有类似剧中的孤独的老人和小孩吗?如果有,你想为他们做点什么?

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单项选择题