When I was growing up, I was embarrassed to be seen with my father. He (1) severely crippled and very short, and when we would walk together, his hand on my arm (2) balance, people would stare. I would inwardly be afraid (3) squirm at the unwanted attention. If he ever noticed or was bothered, he never let (4) .
It was difficult to coordinate (5) steps - his halting, mine impatient - and because of that, we didn’t say much as we went along. But as we started out, he always said, "You (6) the pace. I will try to adjust to you. "
Our usual walk was to or (7) the subway, which was how he got to (8) . He went to work sick, and (9) nasty weather. He almost never missed a day, and would (10) it to the office even if (11) could not: a matter of pride!
He never talked about himself as an object of pity, (12) did he show any envy of the more fortunate or able. What he looked for in others was a "good heart", and if he found one, the owner was good enough for him.
Now that I am older, I believe that is a proper standard (13) which to judge people, even though I still don’t know precisely (14) a "good heart" is. But I know the times I don’t have one myself.
He has (15) gone many years now, but I think (16) him often. I wonder if he sensed my reluctance to be seen with him during our (17) . If he did, I am (18) I never told him how sorry I was, how unworthy I was, how I regretted it. I think of him when I complain about trifles, when I am (19) of another’s good fortune, when I don’t have a "good heart".
At such times I put my hand on his arm to regain my (20) , and say, "You set the pace, I will try to adjust to you.\

阅读文本选段，完成1～3题。     

　　正二月间城里赛龙灯，大街小巷，真是人山人海。最多的还要算邻近各村上的女人，她们像一阵旋风，大大小小牵成一串从这街冲到那街，街上的汉子也借这个机会撞一撞她们。然而能够看得见三姑娘同三姑娘的妈妈吗？不，一回也没有看见！锣鼓喧天，惊不了她母女两个，正如惊不了栖在竹林的雀子。鸡上埘的时候，比这里更西也是住在坝下的堂嫂子们，顺便也邀请一声“三姐”，三姑娘总是微笑地推辞。妈妈则极力鼓励着一路去，三姑娘送客到坝上，也跟着出来，看到底攀缠着走了不；然而别人的渐渐走得远了，自己的不还是影子一般的依在身边吗？

　　三姑娘的拒绝，本是很自然的，妈妈的神情反而有点莫名其妙了！用询问的眼光朝妈妈脸上一瞧，——却也正在瞧过来，于是又掉头望着嫂子们走去的方向：

　　“有什么可看？成群打阵，好像是发了疯的！”

　　这话本来想使妈妈热闹起来，而妈妈依然是无精打采沉着面孔。河里没有水，平沙一片，显得这坝从远远看来是蜿蜒着一条蛇，站在上面的人，更小到同一颗黑子了。_____________；_____________；___________。至于聒聒的喧声，却比站在近旁更能入耳，虽然听不着说的是什么，听者的心早被他牵引了去了。竹林里也同平常一样，雀子在奏他们的晚歌，然而对于听惯了的人只能够增加静寂。

　　打破这静寂的终于还是妈妈：

　　“阿三！我就是死了也不怕猫跳！你老这样守着我，到底……”

　　妈妈不作声，三姑娘抱歉似的不安，突然来了这埋怨，刚才的事倒好像给一阵风赶跑了，增长了一番力气娇恼着：

　　“到底！这也什么到底不到底！我不欢喜玩！”

　　三姑娘同妈妈间的争吵，其原因都出在自己的过于乖巧，比如每天清早起来，把房里的家具抹得干净，妈妈却说，“乡户人家呵，要这样？”偶然一出门做客，只对着镜子把散在额上的头毛梳理一梳理，妈妈却硬从盒子里拿出一枝花来。现在站在坝上，眶子里的眼泪快要迸出来了，妈妈才不作声。这时节难为的是妈妈了，皱着眉头不转睛地望，而三姑娘老不抬头！待到点燃了案上的灯，才知道已经走进了 屋，这其间的时刻竟是在梦中过去了。

1．下 * * 句话是从原文画线处节选出来的，其排列顺序正确的一组是（     ）   

①由这里望过去，半圆形的城门，也低斜得快要同地面合成了一起

②在坝上分明数得清楚，及至到了沙滩，一转眼就失了心目中的标记，只觉得一簇簇的仿佛是远山上的树林罢了

③木桥俨然是画中见过的，而往来蠕动都在沙滩   

A．①②③    

B．①③②   

C．②①③   

D．③①②

2．当“坝下的堂嫂子们”邀请三姑娘一起去看赛龙灯时，三姑娘为什么“总是微笑地推辞”？

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3．妈妈为什么依然是无精打采沉着面孔的？

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