阅读下文，完成下列问题。

一个可以由此得生，也可以由此得死的时代是大时代。大时代总要产生巨人。

鲁迅是巨人。他不是帝王，不是 * * ，他无须挥舞权杖。作为旧世界的逆子贰臣，唯以他的人格和思想，召引了大群年青的奴隶。他把对于民族和人类的热爱理解得那么深沉，乃至他的目光，几乎只让人望见直逼现实的愤怒的火焰。数千年的僵尸政治，“东方文明”，专利，强暴，虚伪，保守和蒙昧，都是他攻击的目标。他教奴隶们如何反抗，如何“钻网”，如何进行韧性的战斗。他虽然注重实力的保存，却不惮牺牲自己，必要时照例地单身鏖战。在一生中，他呐喊过也彷徨过，(1)甚至在横站着作战的晚年仍然背负着难耐的寂寞，(2)但是从来耻于屈服和停顿。中国的思想文化界，没有一个人像他一样赢来众多的“私敌”，(3)没有一个像他一样招致密集的刀箭，(4)因此，也就没有一个像他一样获得更为辉煌的战绩。他所凭借的仅仅是一支“金不换”，便在看不见的但却是无比险恶的战场里，建树了超人一等的殊勋。

在他身后，自然要出现大大小小的纪念会，石雕、铜像以及传记，可悲哀的是：当再度被赋予形体的时候，这个始终屹立于人间的猛士，却不止一次地经过有意无意的铺垫与厚饰，成了奥林匹斯山上的宙斯。

平凡的伟大才是真正的伟大。鲁迅是“人之子”，人所具有的他都具有。正因为他耳闻了愚妄的欢呼和悲惨的呼号，目睹了淋漓的鲜血升腾的地火，深味了人间一切苦辛，在他的著作中，古老而艰深的象形文字，才会变得那么平易，那么新鲜，那么富于生命的活力。

这样一个毕生以文字从事搏战的人，他的形象，其实早经文学本身表达无遗了。世间纪念物，丝毫也不能为他增添或减损些什么，无非是后人的一种感念而已。如果它所激发的，不是对真理的渴求，不是奔赴生活的勇气和变革现实的热情，而是宗教式的膜拜，那么毋宁说：我们什么都不需要!

历史人物之所以伟大，正在于我们可以因他而深刻地意识到自身的存在，在存在的方式的选择中间，我们根本不愿拒绝他的灵魂的参与。鲁迅就是这样的一个人。他没有把黄金世界轻易预约给人类，却以燃烧般的生命，成为千千万万追求者的精神的火光。真正的巨人活在时间的深度里。应当相信，历史终会把最有分量的东西保留下来。

对加粗语句理解不正确的一项是（）。

A．“召引了大群年青的奴隶”是说鲁迅引导众多受奴役的青年人起来反抗旧世界。

B．“铺垫和厚饰”是指鲁迅逝世后有人有意无意地抬高鲁迅，美化鲁迅。

C．“宗教式的膜拜”是指像对宗教领袖一样对鲁迅顶礼膜拜。

D．“最有分量的东西”是指对真理的渴求、奔赴生活的勇气和变革现实的热情。

阅读理解

     The producer of a new Indonesian movie about President Obama's childhood years in Jakarta(雅加达) is hoping that interested Americans will flock to see the film, Little Obama, in theatres across the

country.

     Little Obama is the creation of Damien Dematra, an Indonesian writer and artist who has worked

on the project since November when he was struck with the idea of writing about the time a young

Obama lived in Jakarta with his mother and stepfather in the late 1960s and early 1970s.

     The film is based on a novel published in March Obama Anak Menteng, and focuses on the president's childhood friendships in Indonesia.

     The novel and the film are fictionalized(把-编成小说) accounts of the president's time in Jakarta and

are based on interviews with people who are childhood friends and neighbours of Mr. Obama. Many

Indonesians share a deep pride about a man who spent part of his shaping years in the country and went

on to become U.S. president.

     The film star is a 14-year-old Hasan Faruq Ali, an American who has lived in Indonesia with his family

for about 10 years. Like the president, he is the son of a white mother and a black father. Since filming

began, he has been under the shine of media attention. "My whole life changed overnight," he says.

     The film, which was made on a budget of $1 million, won't get its first public screening until

Wednesday, but ads for the movie on YouTube have got a few thousand hits. It isn't clear whether

Little Obama will get a U.S. release(发行), but the film's producer says he is in talks with a U.S.

distributor(发行人).

1.     What is the film Damien Dematra produced mainly about?     

A. The friendship between America and Indonesia.

B. The political views of Obama from his childhood.

C. The determination and hard work of young Obama.

D. Mr. Obama's friends when he was young in Indonesia.

2.     Which is NOT true about Obama and Hasan Faruq Ali?      

A. Their nationality is American.

B. They shoot a film when they are young.

C. they have the experience of living in Indonesia.

D. Hasan has a white mother and a black father.

3.     What can we learn from the last paragraph?

A. The future of Little Obama is unknown.

B. Little Obama will be popular in America.

C. Little Obama will be popular in Indonesia.

D. Ads for Little Obama proved unsuccessful.