问题 单项选择题

Many people seem to think that science fiction is typified by the covers of some of the old pulp magazines, the Bug-Eyed Monster, embodying every trait and feature that most people find repulsive, is about to grab, and presumably ravish, a sweet, blonde, curvaceous, scantily clad Earth girl. This is unfortunate because it demeans and degrades a worthwhile and even important literary endeavor. In contrast to this unwarranted stereotype, science fiction rarely emphasizes sex, and when it does, it is more discreet than other contemporary fiction. Instead, the basic interest of science fiction lies in the relation between man and his technology and between man and the universe. Science fiction is a literature of change and a literature of the future, and while it would be foolish to claim that science fiction is a major literary genre at this time, the aspects of human life that it considers make it well worth reading and studying for no other literary form does quite the same things.

What is science fiction To begin, the following definition should be helpful: science fiction is a literary subgenre which postulates a change (for human beings) from conditions as we know them and follows the implications of these changes to a conclusion. Although this definition will necessarily be modified and expanded, it covers much of the basic groundwork and provides a point of departure.

The first point-that science fiction is a literary subgenre-is a very important one, but one which is often overlooked or ignored in most discussions of science fiction. Specifically, science fiction is either a short story or a novel. There are only a few dramas which could be called science fiction, with Karel Capek’s RUR (Rossum’s Universal Robots) being the only one that is well known, the body of poetry that might be labeled science fiction is only slightly larger. To say that science fiction is a subgenre of prose fiction is to say that it has all the basic characteristics and serves the same basic functions in much the same way as prose fiction in general, that is, it shares a great deal with all other novels and short stories.

Everything that can be said about prose fiction, in general, applies to science fiction. Every piece of science fiction, whether short story or novel, must have a narrator, a story, a plot, a setting, characters, language, and theme. And like any prose, the themes of science fiction are concerned with interpreting man’s nature and experience in relation to the world around him. Themes in science fiction are constructed and presented in exactly the same ways that themes are dealt with in any other kind of fiction. They are the result of a particular combination of narrator, story, plot, character, setting, and language. In short, the reasons for reading and enjoying science fiction, and the ways of studying and analyzing it, are basically the same as they would be for any other story or novel.

From the last paragraph, we know that people read science fiction especially for()

A. the discovery of meaning

B. the beauty of language

C. the display of character

D. the psychological complexity

答案

参考答案:A

解析:

这是一道归纳题。文章第四段指出:科幻小说同散文差不多,其主题是为了诠释人的个性、说明他与周围世界的经历,这同其他文学作品很相似。由此可知:人们看科幻小说的主要目的是为了弄懂它的意思。B、C与此意不符;文中没有提到D项之意。只有A符合文章的意思。应选A。

判断题
材料题

社会习俗的变化能够从一个侧面反映和见证社会的发展。阅读下列材料回答问题。 

材料一 康有为认为女子裹足,不能劳动;辫发长垂,不利于机器生产;宽衣博带,长裙雅步,不使于万国竞争的时代,因此上书皇帝请求放足、断发、易服以使“与欧美同俗”,又说“非易其衣服不能易人心,成风俗,新政亦不能行”。 

材料二

               

        图一 清代和民国的绣花鞋图       图二 军警为行人剪辫子

材料三  20世纪六七十年代,“毛式的中山装”一统中国服装市场。如今,我们的服装不拘泥于一种风格一种潮流,而能在令人眼花缭乱的服饰上,演绎出许多文化的味道来。 

(1)概括材料一中康有为的主张,并分析其目的。

                                                                                                                                                                 

(2)材料二反映近代中国社会习俗发生了哪些变化?并简要分析产生这些变化的原因。

                                                                                                                                                                  

(3)分析材料三中服饰由“毛式中山装”一统天下到“令人眼花缭乱”的原因。