问题 填空题


In the following passage, there are 25 blanks representing words that are missing from the context. You are to put back in each of the blanks with the missing word. Write your answers on the ANSWER SHEET. The time for this section is 25 minutes.
Compared with the immediate practical responsibility of the scientist, the (1) of the artist must seem puny. The decision which faces (2) is not one of practical action: of course he will try to throw this (3) into the scale, and that weight, if he is a writer or (4) a painter of genius, may have its effect. For the novelist—in our society the only artist who has a mass audience and at the same time effective economic control of the means of addressing (5) —the hope of some decisive influence is a reasonable (6) . For him, since he takes of all artists (7) is probably the largest portion of his culture as material, there is no (8) escape from the necessity for treating the content of his work seriously than (9) is for the social psychologist he is coming so closely to resemble. The dichotomy which people have tried to establish between artistic proficiency and (10) content is becoming unbearable to almost all sensitive minds. I doubt if it has ever been real— we might have admired Shelley as (11) if he had been indifferent to such things as war and tyranny, though I doubt it; certainly (12) he been indifferent we should never have been led by (13) .
There is no Hippocratic oath in literature, and I am not attempting to draw (14) up. As far as I am concerned, the artist is a human being writ large and his (15) are the ethics of any human being. Perhaps I can best illustrate (16) seems to me the new (17) of those duties of assertion and refusal from one writer, and I do not (18) it is without significance that this (19) projects the whole situation of choice into a scientific parable, the (20) of a pestilence: a (21) many human (22) are called to fight against, called not by any supernatural (23) but by the simple fact that the fight against a plague is (24) like a biological human (25) .

答案

参考答案:consciousness

探究题

历史世界

《格尔尼卡》

《格尔尼卡》是西班牙画家毕加索的一幅名画。它长七米多,宽三米多,画面上只用了黑、白、灰三种颜色。由于画上没有出现据体的情节,人体器官又有明显的移位和扭曲,就增加了人们理解的难度。这幅画描绘了西班牙小镇格尔尼卡遭德军飞机轰炸后的惨状。它代表痛苦、受难和兽性:画中右边有一个妇女举手从着火的屋上掉下来;另一个妇女冲向画中心;左边一位母亲与一个死了的孩子;地上有一具战士的尸体,他一手握剑,剑旁是一朵正在生长着的鲜花;画中央是一匹老马,被一根由上而下的长矛刺杀,左边有一头举首顾盼的站着的牛,牛头与马头之间是一只举头张喙的鸟;上边右面有一只从窗口斜伸进来的手臂,手中掌着一盏灯,发出强光,照耀着这个血腥的场面。

对佛朗哥政府的残酷行为不满的毕加索定居巴黎,但当1937年4月26日西班牙巴斯克省的历史名城-- 格尔尼卡在西班牙内战的混乱中,遭到法西斯德军的突击,全城被炸为一片瓦砾,死伤数千人,而且大多是老弱妇孺时,激起了毕加索强烈的愤怒,因为他一想到德军这样强大的军事力量,对一个不设防的小村庄竟然进行这样残暴的轰击,就义愤填膺,于是开始动手绘制这幅壁画,要以画笔为抢来抵抗不人道的暴戾行为。

请回答:

结合以上材料试分析《格尔尼卡》的寓意?

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