问题 单项选择题

The head of the Library of Congress is to name Donald Hall, a writer whose deceptively simple language builds on images of the New England landscape, as the nation’s 14th poet laureate today.
Mr. Hall, a poet in the distinctive American tradition of Robert Frost, has also been a harsh critic of the religious right’s influence on government arts policy. And as a member of the advisory council of the National Endowment for the Arts during the administration of George H. W. Bush, he referred to those he thought were interfering with arts grants as "bullies and art bashers".
He will succeed Ted Kooser, the Nebraskan who has been the poet laureate since 2004.
The announcement of Mr. Hall’s appointment is to be made by James H. Billington, the Librarian of Congress. Mr. Billington said that he chose Mr. Hall because of "the sustained quality of his poetry, the reach and the variety of things he talks about." Like Mr. Kooser, Mr. Billington said, Mr. Hall "evokes a sense of place."
Mr. Hall, 77, lives in a white clapboard farmhouse in Wilmot, N. H. , that has been in his family for generations. He said in a telephone interview that he didn’t see the poet laureateship as a bully pulpit. "But it’s a pulpit anyway," he said. "If I see First Amendment violations, I will speak up."
Mr. Hall is an extremely productive writer who has published about 18 books of poetry, 20 books of prose and 12 children’s books. He has won many awards, including a national Book Critics Circle Award in 1989 for "The One Day," a collection.
In recent years much of his poetry has been preoccupied with the death of his wife, the poet Jane Kenyon, in 1995.
Robert Pinsky, who was poet laureate from 1997 to 2000 said he welcomed Mr. Hall’s appointment, especially in light of his previous outspokenness about politics and arts. "There is something nicely symbolic, and maybe surprising," Mr. Pinsky said, "that they have selected someone who has taken a stand for freedom."
The position carries an award of $35,000 and $5,000 travel allowance. It usually lasts a year, though poets are sometimes reappointed.

What can be inferred from the passage

A.Mr. Hall loves his wife very much.

B.Mr. Hall takes the new appointment for granted.

C.Mr. Hall has got great ideas from his wife.

D.Mr. Hall may hold the position for another year.

答案

参考答案:A

解析:

[分析]: 推断题型 见第七段:In recent years much of his poetry has been preoccupied with the death of his wife,the poet Jane Kenyon,in l995.(近年来他的许多诗意由他妻子的故去所占据,他的妻子Jane Kenyon也是个诗人,于1995年逝世),由此可推断他十分爱自己的妻子。 A为答案。

解答题
阅读理解与欣赏

丢失的香柚

梁晓声

  “大串联”时期,我从哈尔滨到了成都,住气象学校,那一年我才17岁,头一次孤独离家远行,全凭“红卫兵”袖章做“护身符”。

  我第二天病倒了。接连多日,合衣裹着一床破棉絮,蜷在铺了一张席子的水泥地的一角发高烧。高烧初退那天,我睁眼看到一张忧郁而文秀的姑娘的脸。她正俯视我。我知道,她就是在我病中服侍我的人。又见她戴着“红卫兵”袖章,愈觉得她可亲。

  我说:“谢谢你,大姐。”看去她比我大二三岁。

  一丝悱然的淡淡的微笑浮现在她脸上。

  她问:“你为什么一个人从大北方串联到大南方来呀?”

  我告诉她,我并不想到这里来和什么人串联。我父亲在乐山工作,我几年没见他的面了,想他!我委托她替我给父亲拍一封电报,要父亲来接我。

  隔日,我能挣扎着起身了,她又来看望我,交给了我父亲的回电--写着“速回哈”三个字。

  我失望到顶点,哭了。

  她劝慰我:“你应该听从你父亲的话,别叫他替你担心!”

  我这时才发现,她戴的不是“红卫兵”袖章,是黑纱。

  我说:“怎么回去呢?我只剩几毛钱了!”虽然乘火车是免费的,可千里迢迢,身上总需要带点钱啊!

  她沉吟片刻,一只手缓缓地伸进衣兜,掏出5元钱来,惭愧地说:“我是这所学校的学生,‘黑五类’。我父亲刚去世,每月只给我9元生活费,就剩这5元钱了,你收下吧!”她将钱塞在我手里,拿起笤帚,打扫厕所去了。

  第二天临行时,她又来送我。走到气象学校大门口,她站住了,低声说:“我只能送你到这儿,他们不许我迈出大门。”她从书包里掏出一个柚子给了我:“路上带着,顶一壶水。”

  空气里弥漫着柚香。我说:“大姐,你给我留个通信地址吧!”

  她注视了我一会儿,低声问:“你会给我写信吗?”

  我说:“会的!”

  她那么高兴,便从她的小笔记本上扯下一页纸,认认真真给我写下了一个地址,交给我时,她说:“你们哈尔滨不是有座天鹅雕塑吗?你在它前边照张像寄给我,好吗?”

  我默默点了一下头。我走出很远,转身看,见她仍呆呆地站在那里,目送着我。

  路途中缺水,我嘴唇干裂了,却舍不得吃那个柚子。在北京转车时,它被偷走了。

  回到哈尔滨的第二天,我就到松花江畔去照像。天鹅雕塑已砸毁了。满地碎片。一片片仿佛都有生命,淌着血。

  我不愿让她知道天鹅雕塑砸毁了,就没给她写信……

  去年,听说哈尔滨的天鹅雕塑又复雕了,我专程回了一次哈尔滨,在天鹅雕塑旁照了一张像,彩色的。按照那页发黄的小纸片上的地址,给那位铭记在我心中的大姐写了一封信,信中夹着照片。/ 信退回来了。信封上,粗硬的圆珠笔字写的是——“查无此人”。

  她哪里去了?

  想到有那么多我的同龄人“消失”在那个年代之中了,我的心便不由得悲哀起来。

  注:①“大串联”: * * 中以“革命”的名义天南地北地联系。②“黑五类”: * * 中,父辈或祖辈乃至曾祖辈是地主、富人、反革命、坏蛋和右派分子,其子女称作“黑五类”。

1、“大姐”希望“我”在哈尔滨的天鹅雕塑前照张像送给她,这反映了什么?

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2、“天鹅雕塑已砸毁了。满地碎片。一片片仿佛都有生命,淌着血。”这句话有什么深刻意蕴?

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3、小说最后一段中“消失”除了指同龄人肉体的消失,还有哪两层主要的含义?

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4、小说中的“香柚”象征什么?

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5、下列对小说的分析,不准确的两项是[ ]

A、“大姐”是“黑五类”,但她毫无偏见地帮助“我”这个“红卫兵”,这体现了朴素的阶级感情,说明“黑五类”中也有好人。

B、“我”从哈尔滨“串联”到成都,不是为了“革命”,而是去探望很久不见的父亲,这并不是为了表现“我”的自私,实际上是对“ * * ”中所谓的“革命大串联”的嘲弄和讽刺。

C、“大姐”对“我”一往情深,而“我”却并没有及时寄照片过去,这表现了“我”有些自私,没有珍惜“大姐”的真情。

D、这篇小说立意深刻,以小见大,发人深省,是小小说中之大手笔。

E、这是一篇带有散文风格的小说,它采用第一人称叙述,显得真实亲切,有一种“天然去雕饰”的自然之美。