问题 单项选择题

手观音的形象是利用以下哪种加工方式?()

A.黏合

B.夸张

C.拟人化

D.典型化

答案

参考答案:B

解析:

1.黏合。它是指把两种或两种以上客观事物的属性、元素、特征或部分结合在一起而形成新形象的过程。如神话中的孙悟空形象。

2.夸张。它是指改变客观事物的正常特点,对某些特点加以夸大和强调,使其增大、缩小、数量加多、色彩加浓等。如运用夸张方式创造出千手观音的形象。

3.拟人化。它是指把人类的特性、特点加在外界事物上,使之人格化的过程,称为拟人化。例如,“雷公”“电母”等许多形象。

4.典型化。它是指根据一类事物共同的、典型的特征创造新形象的过程。

阅读理解与欣赏

文言文阅读

  (甲)于是入朝见威王,曰:“臣诚知不如徐公美臣之妻私臣,臣之妾畏臣,臣之客欲有求于臣,皆以美于徐公今齐地方千里,百二十城,宫妇左右莫不私王,朝廷之臣莫不畏王,四境之内莫不有求于王:由此观之,王之蔽甚矣”

王曰:“善”乃下令:“群臣吏民,能面刺寡人之过者,受上赏;上书谏寡人者,受中赏;能谤讥于市朝,闻寡人之耳者,受下赏”令初下,群臣进谏,门庭若市;数月之后,时时而间进;期年之后,虽欲言,无可进者燕、赵、韩、魏闻之,皆朝于齐此所谓战胜于朝廷

  (乙)孙叔敖为楚令尹,一国吏民皆为贺有一老父衣粗衣,冠白冠,后来吊孙叔敖正衣冠而见之,谓老人曰:“楚王不知臣之不肖,使臣受吏民之垢,人尽来贺,子独后吊,岂有说乎?”父曰:“有说:身已贵而骄人者民去之,位已高而擅权者君恶之,禄已厚而不知足者患处之”孙叔敖再拜曰:“敬受命,愿闻余教”父曰:“位已高而意益下,官益大而心益小,禄已厚而慎不敢取君瑾守此三者,足以治楚亦!”

1.解释下面加粗字的意思

刺寡人之过者                  面_____________

有一老父粗衣                     衣_____________

讥于市朝                         谤_____________

孙叔敖正衣冠而见之               之____________

2.两则选文表达的共同主旨是什么?

_____________________________________________________

3.简略说说甲文中进谏人越来越少的原因是什么?

_____________________________________________________

4.乙文“君瑾守此三者,足以治楚亦!”句中“此三者”的具体内容是什么?

_____________________________________________________

5.将下面的句子译为现代汉语

身已贵而骄人者民去之,位已高而擅权者君恶之,禄已厚而不知足者患处之

_____________________________________________________

单项选择题

Aristotle believed that the heavens were perfect. If they ever were, they are no longer. The skies above Earth are now littered with the debris (残骸) of dead satellites, bits of old rockets and the odd tool dropped by a spacewalking astronaut. Such is the extent of the detritus that the first accidental collision between two satellites has already taken place. It happened in February 2009, when a defunct (废弃的) Russian Cosmos smashed into a functioning American Iridium, destroying both and creating even more space junk.

To stop this sort of thing happening again Vaios Lappas of the University of Surrey, in England, has designed a system that will remove satellites from orbit at the end of their useful lives--and as a bonus will scour part of the sky clean as it does so. Dr. Lappas’s satellite-removal system employs a solar sail. As light from the sun hits the sail, it imparts a minuscule but continuous acceleration. When a satellite is first launched, the sail is angled in a way that causes this acceleration to keep the satellite in orbit. (Orbits gradually decay as a result of collisions with the small number of air molecules found even at altitudes normally classified as "outer space". )

Solar sails have yet to be used widely to propel spacecraft in this way--several earlier versions came unstuck when the sails failed to unfurl properly-but doing so is not a novel idea in principle The novelty Dr. Lappas envisages is to change the angle of the sail when the satellite has become defunct. Instead of keeping the derelict craft in orbit, it will, over the course of a couple of years, drag it into the atmosphere and thus to a fiery end. Not only that, but the sail will also act like a handkerchief, mopping up microscopic orbital detritus such as flecks of paint from previous launches. A fleck of paint may not sound dangerous, but if travelling at 27 000kph (17 000mph), as it would be in orbit, it could easily penetrate an astronaut’s spacesuit.

A prototype of Dr. Lappas’s design, called CubeSail, will be launched late next year. It weighs just 3kg and, when folded up, measures 30cm (12 inches) by 10era by 10era. Once unfurled, however, the sail will have an area of 25 square metres. If this prototype, which is paid for by EADS, a European aerospace company, proves successful, solar sails might be added to many future satellites. That would enable them to be removed rapidly from orbit when they became useless and would restore to the skies some measure of Aristotelian perfection.

Which one is NOT the application of the system designed by Vaios Lappas()

A. To halt creating more space junk

B. To remove the satellites at the end of their useful lives

C. To stop the accidental collisions in space

D. To clean the junk created by dead satellites