问题 综合

读下图,回答问题。

(1)写出图巾字母代表的地理事物的名称:    

临海:A_______________________    

河流:B_______________________    

高原:C_______________________    

平原:D_______________________    

首都:E_______________________    

工业中心:F___________________G_______________________  

(2)巴西绝大部分位于__________(纬线)和__________(纬线)之间,是世界上占有__________ 面积最大的国家。    

(3)图中C处的气候属于__________,D处的气候属于__________。    

(4)图中H为__________水电站,年发电量为800亿千瓦时,是目前世界上已建成水电站中规模 __________的一座,位于__________河上,是__________(国家)和_________(国家)合资修建的。    

(5)巴西具有世界优势的矿产资源是__________。

答案

(1)大西洋;亚马孙河;巴西高原;亚马孙平原;巴西利亚;里约热内卢;圣保罗

(2)赤道;南回归线;热带

(3)热带草原气候;热带雨林气候

(4)伊泰普;最大;巴拉那;巴西;巴拉圭

(5)铁矿

选择题
填空题


In the following passage, there are 25 blanks representing words that are missing from the context. You are to put back in each of the blanks with the missing word. Write your answers on the ANSWER SHEET. The time for this section is 25 minutes.
Compared with the immediate practical responsibility of the scientist, the (1) of the artist must seem puny. The decision which faces (2) is not one of practical action: of course he will try to throw this (3) into the scale, and that weight, if he is a writer or (4) a painter of genius, may have its effect. For the novelist—in our society the only artist who has a mass audience and at the same time effective economic control of the means of addressing (5) —the hope of some decisive influence is a reasonable (6) . For him, since he takes of all artists (7) is probably the largest portion of his culture as material, there is no (8) escape from the necessity for treating the content of his work seriously than (9) is for the social psychologist he is coming so closely to resemble. The dichotomy which people have tried to establish between artistic proficiency and (10) content is becoming unbearable to almost all sensitive minds. I doubt if it has ever been real— we might have admired Shelley as (11) if he had been indifferent to such things as war and tyranny, though I doubt it; certainly (12) he been indifferent we should never have been led by (13) .
There is no Hippocratic oath in literature, and I am not attempting to draw (14) up. As far as I am concerned, the artist is a human being writ large and his (15) are the ethics of any human being. Perhaps I can best illustrate (16) seems to me the new (17) of those duties of assertion and refusal from one writer, and I do not (18) it is without significance that this (19) projects the whole situation of choice into a scientific parable, the (20) of a pestilence: a (21) many human (22) are called to fight against, called not by any supernatural (23) but by the simple fact that the fight against a plague is (24) like a biological human (25) .