问题 单项选择题

【真题试题】(2005年单项选择第27题)

A.一项重要的企业经营管理创新建议

B.一种独创、先进、实用的产品制造方法

C.一种证明某一定理的新方法

D.一份具有很高商业价值的客户名单

答案

参考答案:B

解析:【真题解析】  本题考查可授予专利权的主题范围。根据《专利法》第22条,“授予专利权的发明和实用新型,应当具备新颖性、创造性和实用性。新颖性,是指在申请日以前没有同样的发明或者实用新型在国内外出版物上公开发表过、在国内公开使用过或者以其他方式为公众所知,也没有同样的发明或者实用新型由他人向国务院专利行政部门提出过申请并且记载在申请日以后公布的专利申请文件中。创造性,是指同申请日以前已有的技术相比,该发明有突出的实质性特点和显著的进步,该实用新型有实质性特点和进步。实用性,是指该发明或者实用新型能够制造或者使用,并且能够产生积极效果。”第二十五条,“对下列各项,不授予专利权:(一)科学发现;(二)智力活动的规则和方法;(三)疾病的诊断和治疗方法;(四)动物和植物品种;(五)用原子核变换方法获得的物质。对前款第(四)项所列产品的生产方法,可以依照本法规定授予专利权。” ACD都不符合题意。正确答案是B.

单项选择题

Passage Three

"A writer’s job is to tell the truth," said Hemingway in 1942. No other writer of our time had so fiercely asserted, so pugnaciously defended or so consistently exemplified the writer’s obligation to speak truly. His standard of truth—telling remained, moreover, so high and so rigorous that he was ordinarily unwilling to admit secondary evidence, whether literary evidence or evidence picked up from other sources than his own experience. "I only know what I have seen," was a statement which came often to his lips and pen. What he had personally done, or what he knew unforgettably by having gone through one version of it, was what he was interested in telling about. This is not to say that he refused to invent freely. But he always made it a sacrosanct point to invent in terms of what he actually knew from having been there.

The primary intent of his writing, from first to last, was to seize and project for the reader what he often called "the way it was." This is a characteristically simple phrase for a concept of extraordinary complexity, and Hemingway’s conception of its meaning subtly changed several times in the course of his career—always in the direction of greater complexity. At the core of the concept, however, one can invariably discern the operation of three aesthetic instruments ; the sense of place the sense of fact and the sense of scene.

The first of these, obviously a p passion with Hemingway, is the sense of place. "Unless you have geography, background," he once told George Anteil, "You have nothing. " You have, that is to say, a dramatic vacuum. Few writers have been more place-conscious. Few have so carefully charted out the geographical ground work of their novels while managing to keep background so conspicuously unobtrusive. Few, accordingly, have been able to record more economically and graphically the way it is when you walk through the streets of Paris in search of breakfast at corner caf or when, at around six O’s clock of a Spanish dawn, you watch the bulls running from the corrals at the Puerta Rochapea through the streets of Pamplona towards the bullring.

"When I woke it was the sound of the rocket exploding that announced the release of the bulls from the corrals at the edge of town. Down below the narrow street was empty. All the balconies were crowded with people. Suddenly a crowd came down the street. They were all running, packed close together. They passed along and up the street toward the bullring and behind them came more men running faster, and then some stragglers who were really running. Behind them was a little bare space, and then the bulls, galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together. "

This landscape is as morning-fresh as a design in India ink on clean white paper. First is the bare white street, seen from above, quiet and empty. Then one sees the first packed clot of runners. Behind these are the thinner ranks of those who move faster because they are closer to bulls. Then the almost comic stragglers, who are "really running. " brilliantly behind these shines the "little bare space," a desperate margin for error. Then the clot of running bulls—closing the design, except of course for the man in the gutter making himself, like the designer’s initials, as inconspicuous as possible.

According to the author, Hemingway’s primary purpose in telling a story was ().

A.to construct a well-told story that the reader would thoroughly enjoy

B.to construct a story that would reflect truths that were not particular to a specific historical period

C.to begin from reality but to allow his imagination to roam from "the way it was" to "the way it might have been."

D.to report faithfully reality as Hemingway had experienced it

单项选择题