The United States is usually given credit for creating and developing the musical comedy as it is known today. The first musical shows were based (1) everyday American life and the (2) development of the form took place in the United States for more than half a century. (3) the early 1970s, (4) , the London theater has (5) the Broadway stage.
The Black Crook, which opened at Niblo’s Garden in New York City on Sept. 12, 1866, is usually (6) as the inspiration for musical comedy. A troupe of French ballet dancers (7) to be stranded in New York without work (8) a fire damaged the theater (9) they had been booked. In order to keep a (10) to them, the theater producer put the dancers into a melodrama written by Charles M. Barres.
The first stage production that was (11) a musical comedy was a show that was (12) from the Prince of Wales Theater to the Gaiety Theater in London in 1892. Staged by George Edwards, the show called In Town featured a chorus line of Gaiety Girls. The (13) year A Gaiety Girl was equally successful, and a (14) of the show played in New York in the same year. When it was (15) in newspapers, it was designated a musical comedy and regarded as a new (16) of entertainment.
It did not take the form long to (17) in the United States. Almost (18) one of the most renowned talents of the American stage went to work on his own musicals. The singer-dancer George M. Cohan staged Little Johnny Jones in 1904. Cohan, (19) own life story was made into the musical George M (1968), also wrote the books, words, and (20) for Forty-five Minutes from Broadway ( 1906 ), The Little Millionaire ( 1911 ), The Song and Dance Man ( 1923 ), and American Born (1925).
11（）
A.thought
B. considered
C. mentioned
D.meant
，F=300N，倾角为60°，如图4-1-29所示。鼓轮两半径r1=20cm，r2=50cm，则力F对鼓轮与水平面接触点A之矩MA(F)为()。
分解为水平与竖直方向两个分力
4500N·cm(逆时针方向)。
对鼓轮与水平面接触点A之矩MA
