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问题 单项选择题

三叉神经第三支属于

A．运动神经

B．交感神经

C．感觉神经

D．混合神经

E．分泌神经

答案

参考答案：D

解析：解 析：此题为基本知识题，考核“三叉神经第三支的特点”。三又神经的三条神经干分别称为眼神经、上颌神经和下颌神经，前二支为感觉神经，后者(第三支)为混合性神经，含大的感觉根和小的运动根。本试题考试实践分析结果难度为0.5667，显示题目难度中等。有30.5％考生选择c（感觉神经），原因是只知道三叉神经的感觉功能，知道临床上有"三叉神经痛"这一疼痛性疾病，从而忽视了第三支为混合神经这一特点。所以考生在复习时要注意共性中个性的东西。

单项选择题

Φ60mm的孔轴配合是()配合。

A、间隙 

B、过渡 

C、过盈
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填空题

[A] Storytellers from antiquity knew the power of star-crossed romance, and so did Audrey Niffenegger. Her 2003 best seller The Time Traveler’s Wife is so plangent a tale of fatal love, with two adorable people fighting to beat the odds against them.
[B] Henry, you see, has the gift or curse of time-traveling: disappearing from one temporal and spatial reality to pop up, naked, in another. This science-fiction trope will be familiar to fans of The Terminator, but Henry is no action-fantasy god. He’s just a guy whose body has a wanderlust he can’t harness. That’s why, as he tells the besotted Clare, "I never wanted anything in my life that I couldn’t stand losing. " Of course they’re destined to be each other’s one and only loves.
[C] My friend and neighbor, the filmmaker Alan Wade, has a provocative explanation for why Titanic struck such a p and reverberant chord with hundreds of millions of moviegoers, especially women: the hero dies. OK, that breaks a cardinal rule of movie romance: that the lovers kiss happily at the final fade-out. Most examples of the genre end with that rosy image, in part because their makers are reluctant to bum out their audience.
[D] Henry (Eric Bana), who works in a Chicago public library, is in the reading room when a woman he’s never met walks up to him and says dewily, "I’ve loved you all my life. " She’s Clare (Rachel McAdams), a young artist, and in her past--Henry’s future-he has visited her and won her undying devotion.
[E] James Cameron must have been tempted to end his film with Leonardo DiCaprio’s Jack surviving the ship’s sinking and enjoying a long life with Kate Winslet’s Rose.
[F] That it’s surprising it took six years for it to get to the big screen. Maybe prospective producers were reluctant to buck the prevailing wisdom of a conventional happy ending. Anyway, here is the film version, directed by Robert Schwentke. It’s soppy enough to suit the requirements of the weepie genre, and there’s a music score that tries to cue all the emotions in viewers, as if they’re incapable of locating their own feelings. But the movie also has an aching solidity that allows you to surrender to its cuddly-creepy feelings without hating yourself in the morning.
[G] But Cameron realized that by killing off Jack, he was raising the movie’s stakes from domestic platitude to classic romantic tragedy. Jack’s death stamped both finality and immortality on the lovers’ shipboard tryst. Because he is gone, their love will live forever.
Order:[*]
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