问题 填空题

常用的浸出方法有()、()和()。

答案

参考答案:煎煮法;浸渍法;渗漉法

单项选择题

Pretty in pink: adult women do not remember being so obsessed with the colour, yet it is pervasive in our young girls’ lives. It is not that pink is intrinsically bad, but it is such a tiny slice of the rainbow and, though it may celebrate girlhood in one way, it also repeatedly and firmly fuses girls’ identity to appearance. Then it presents that connection, even among two-year-olds, between girls as not only innocent but as evidence of innocence. Looking around, l despaired at the singular lack of imagination about girls’ lives and interests.

Girls’ attraction to pink may seem unavoidable, somehow encoded in their DNA, but according to Jo Paoletti, an associate professor of American Studies, it is not. Children were not colour-coded at all until the early 20th century: in the era before domestic washing machines all babies wore white as a practical matter, since the only way of getting clothes clean was to boil them. What’s more, both boys and girls wore what were thought of as gender-neutral dresses. When nursery colours were introduced, pink was actually considered the more masculine colour, a pastel version of red, which was associated with strength. Blue, with its intimations of the Virgin Mary, constancy and faithfulness, symbolised femininity. It was not until the mid-1980s, when amplifying age and sex differences became a dominant children’s marketing strategy, that pink fully Came into its own, when it began to seem inherently attractive to girls, part of what defined them as female, at least for the first few critical years.

I had not realised how profoundly marketing trends dictated our perception of what is natural to kins, including our core beliefs about their psychological development. Take the toddler. I assumed that phase was something experts developed after years of research into children’s behaviour: wrong. Turns out, according to Daniel Cook, a historian of childhood consumerism, it was popularised as a marketing trick by clothing manufacturers in the 1930s.

Trade publications counselled department stores that, in order to increase sales, they should create a "third stepping stone" between infant wear and older kids’ clothes. It was only after "toddler" became a common shoppers’ term that it evolved into a broadly accepted developmental stage. Splitting kids, or adults, into ever- tinier categories has proved a sure-fire way to boost profits. And one of the easiest ways to segment a market is to magnify gender differences—or invent them where they did not previously exist.

According to Paragraph 2, which of the following is true of colours()

A. Colours are encoded in girls’ DNA

B. Blue used to be regarded as the colour for girls

C. Pink used to be a neutral colour in symbolising genders

D. White is prefered by babies

阅读理解与欣赏

阅读下文,完成文后各题。

《金石录》后序(节录) 李清照

余建中辛巳,始归赵氏。时先君作礼部员外郎,丞相作吏部侍郎,侯①年二十一,在太学作学生。赵、李族寒,素贫俭,每之朔望谒告出,质衣取半千钱,步入相国寺,市碑文果实归,相对展玩咀嚼,自谓葛天氏之民也。后二年,出仕宦,便有饭蔬衣綀,穷遐方绝域,尽天下古文奇字之志。日就月将,渐益堆积。丞相居政府,亲旧或在馆阁,多有亡诗、逸史,鲁壁、汲冢所未见之书,遂尽力传写,浸觉有味,不能自已。后或见古今名人书画,一代奇器,亦复脱衣市易。尝记崇宁间,有人持徐熙《牡丹图》求钱二十万。当时虽贵家子弟,求二十万钱岂易得耶?留信宿,计无所出而还之。夫妇相向惋怅者数日。

建炎戊申秋九月,侯起复,知建康府。己酉春三月罢。夏五月,至池阳,被旨知湖州,过阙上殿。六月十三日,始负担舍舟,坐岸上,葛衣岸巾,精神如虎,目光烂烂射人,望舟中告别。余意甚恶,呼曰:“如传闻城中缓急,奈何?”戟手遥应曰:“从众。必不得已,先去辎重,次衣被,次书册卷轴,次古器。独所谓宗器者,可自负抱,与身俱存亡,勿忘之!”遂驰马去。途中奔驰,冒大暑,感疾。余惊怛,念侯性素急,或热,必服寒药,疾可忧。遂解舟下,一日夜行三百里。比至,果大服柴胡、黄芩药,疟且痢,病危在膏盲。余悲泣,仓皇不忍问后事。八月十八日,遂不起,取笔作诗,绝笔而终。

葬毕,余无所之。时犹有书二万卷,金石刻二千卷。冬十二月,金人陷洪州,所谓连舻渡江之书,散为云烟矣。……到越,所谓岿然独存者,无虑十去五六矣。在会稽,所谓岿然独存者,乃十去其七八。所有一二残零不成部帙书册,三数种平平书帖,犹复爱惜如护头目,何愚也邪!

今日忽阅此书,如见故人。因忆侯在东莱静治堂,装卷初就,芸签缥带,束十卷作一帙。每日晚吏散,辄校勘二卷,跋题一卷。此二千卷,有题跋者五百二十卷耳。今手泽如新而墓木已拱,悲夫!昔萧绎江陵陷没,不惜国亡而毁裂书画;杨广江都倾覆,不悲身死而复取图书。岂人性之所著,死生不能忘之欤?或者天意以余菲薄,不足以享此尤物耶?抑亦死者有知,犹斤斤爱惜,不肯留在人间耶?何得之艰而失之易也?呜呼!三十四年之间,忧患得失,何其多也!然有有必有无,有聚必有散,乃理之常。人亡弓,人得之,又胡足道!所以区区记其终始者,亦欲为后世好古博雅者之戒云。

注:侯,称丈夫赵明诚。信宿:连宿两夜

小题1:对下列句子中加点的词语的解释,不正确的一项是( )

A.始归赵氏:出嫁

B.浸觉有味:渐渐

C.如传闻城中缓急 :平缓与紧急

D.比至,果大服柴胡:等到小题2:下列各组句子中,加点的词的意义和用法相同的一组是( )

A.何得之艰而失之易也句读之不知,惑之不解

B.不悲身死而复取图书因人之力而敝之,不仁。

C.忧患得失,何其多也!是说也,人常疑之。

D.有聚必有散,乃理之常。夫我乃行之,反而求之,不得吾心小题3:下列各项中,不能说明她和丈夫穷心尽力搜集、整理金石书画的是( )

A.市碑文果实归,相对展玩咀嚼。

B.所未见之书,遂尽力传写,浸觉有味。

C.留信宿,计无所出而还之。

D.必不得已,先去辎重,次衣被,次书册卷轴。小题4:翻译文言文中的划线句

(1)把文言文阅读材料中画横线的句子翻译成现代汉语。(6分,每小题3分)

①留信宿,计无所出而还之。夫妇相向惋怅者数日。

译文:                                                               

②岂人性之所著,死生不能忘之欤?

译文:                                                               

(2)文章最后一段表达了李清照怎样的思想感情?请用自己的话概括。4分

答: