问题 多项选择题

多步式利润表可以反映企业的( )等利润要素。

A.主营业务利润

B.营业利润

C.利润总额

D.净利润

答案

参考答案:A,B,C,D

解析: 考查利润表的格式分类、多步式利润表的项目及计算顺序。利润表是重难点之一,需要好好理解、掌握和运用。

阅读理解与欣赏

阅读下列文章,完成下面的题。  

心  锁

梁青岭

  某一个星期日,儿子与同学出去玩,我一个人来到儿子的房间,发现他的书桌上很乱,就走过去想整理一下。此时,我突然灵机一动,就打开他的抽屉,发现了一个蓝色的日记本。

  儿子的日记本第一页上写道:“自打我上初中以后,我的心里十分空虚与孤独,父母除了关心我在学校的表现外,就是把我关在屋里学习。当我每天伏在桌前,永不停止地写那永远做不完的该死的作业时,我特别的痛苦,我多么想能有时间到外面去打打篮球,去轻松地活动一下啊……”

  读完儿子的日记,我内心感到了一种强烈的震撼。我原以为自己的心灵与他贴得很近,可万万没有料到他并没有把父母当作朋友。 

  傍晚,儿子回到家里,又关上房门独处,用晚餐的时候,他突然问我:“爸,你俩谁动我的东西了? ”我假装糊涂地说:“没有啊。”见我的态度如此坚定,他什么也没说,就满脸不悦地走开了。

  过了两天以后,趁着儿子不在家,我叉偷偷溜进他的房间,企图从日记里洞察他内心的秘密,令我惊讶的是,抽屉上不知何时安了一把锁。顿时,我的大脑一片空白,我突然意识到自己犯了一个低级错误。

  晚上,儿子回到家后;我鼓足勇气对他说:“儿子,爸爸犯了一个错误,你能原谅我吗? ”儿子沉思片刻说:“不就是偷看日记的事嘛,我不想再谈这件事。”“如果你原谅爸爸,就请你打开锁,别把家长当贼似的。”儿子气呼呼地对我说:“这是钥匙,交给你,这回你满意了吧?”

  若干天以后,当我无意中再一次来到儿子的房间时,一心想走进儿子内心世界的我,又鬼使神差般地欲看他的日记,我惊讶地发现,儿子的抽屉虽然没有上锁,可那日记本不知何时已无影无踪了。有一天儿子突然对我说:“老爸,你是不是特失落? ”“这话怎讲?”“因为我把日记扔了,并发誓,永远不再写日记了。”

  我惊愕地醒悟到:儿子心里有一把锁。

1.“读完儿子的日记,我内心感到了一种强烈的震撼”使“我”震撼的原因是什么? 

                                                                                                  

2.文中的“心锁”具有怎样的含义?  

                                                                                                  

3.“我突然意识到自己犯了一个低级错误”中的“一个低级错误”指什么? 

                                                                                                  

4.第六段中“儿子,爸爸犯了一个错误,你能原谅我吗? ”爸爸是否真正意识到自己的错误,真诚地求得儿子的谅解?请说说理由。 

                                                                                                  

5.文你是怎样看待父母私拆孩子的信件或私看孩子日记的行为的? 

                                                                                                 

阅读理解

阅读理解。

     Beijing opera or Peking opera is a form of Chinese opera which arose in the late 18th century and

became fully developed and recognized by the mid-19th century. The form was extremely popular in

the Qing Dynasty court and has come to be regarded as one of the cultural treasures of China. Major

performance troupes (剧团,戏班子) are based in Beijing and Tianjin in the north,and Shanghai in the

south. The art form is also enjoyed in Taiwan,and has spread to other countries such as the United

States and Japan.

     Beijing opera features four main types of performers. Performing troupes often have several of

each variety,as well as numerous secondary and tertiary performers. With their elaborate (认真的,

精心的) and colorful costumes,performers are the only focal points on Beijing opera's characteristically

small stage. They make use of the skills of speech,song,dance,and combat in movements that are

symbolic and suggestive,rather than realistic. Above all else,the skill of performers is evaluated

according to the beauty of their movements. Performers also hold a variety of stylistic conventions that

help audiences navigate the plot of the production. The layers of meaning within each movement must

be expressed in time with music. The music of Beijing opera can be divided into the Xipi and Erhuang

styles. Melodies include arias (唱腔),fixed-tune melodies,and percussion patterns. The repertoire of

Beijing opera includes over 1,400 works,which are based on Chinese history,folklore,and,increasingly,

contemporary life.

     In recent years,Beijing opera has attempted numerous reforms in response to sagging audience

numbers. These reforms,which include improving performance quality,adapting new performance

elements,and performing new and original plays,have met with mixed success. Some Western works

have been adopted as new plays,but a lack of funding and an adverse political climate have left Beijing

opera's fate uncertain as the form enters the 21st century.

1. How long has Beijing Opera become a popular art form?

A. About one and a half centuries.

B. More than two centuries.

C. More than one century.

D. About half a century.

2. How many art forms of Beijing Opera at present?

A. Two including Beijing and Tianjin,and Shanghai in the south.

B. Two including Beijing and Tianjin in the north.

C. Three including Beijing and Tianjin,and Shanghai in the south and Taiwan.

D. Five including Beijing and Tianjin,and Shanghai in the south,Taiwan,US and Japan.

3. What are the features of the performers' movements of Beijing Opera?

A. Elaborate.

B. Colourful.

C. Realistic.

D. Representative.

4. Which of the followings is NOT true according to the passage?

A. Performers can take different stylistic traditions in the plays.

B. The standard to estimate a performer is the amount of his/her movements.

C. It's necessary to keep movements along the music in time.

D. The content of Beijing Opera is plentiful but much fixed.

5. What will be the future of the Beijing Opera?

A. Very bright.

B. Certainly good.

C. Much uncertain.

D. More popular.