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问题 选择题

中国民族资产阶级具有两面性的根本因素是：           

A．民族资产阶级由封建地主、商人转化而来

B．资金少，力量薄弱

C．诞生于半殖民地半封建社会形态中

D．在中外反动势力压迫的夹缝中发展

答案

答案：C

本题为程度性选择题，主要考查学生对中国民族资产阶级特点的根本原因的理解能力。中国民族资产阶级具有革命性和妥协性这一双重特点，本题中所列A、B、C、D四项均为其原因，A项是其来源，B项是其实力，D项是其发展状况，均不是其根本原因，而A、B、D三项均由C项“诞生于半殖民地半封建社会形态中”决定的。选C。

填空题

人类传递信息的方法很多，请举出两种：

（1）______

（2）______．

以上两种传递信息的方法，比较好的是第______种，原因是______．
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单项选择题

Questions 58 to 62 are based on the following passage:In the past century Irish painting has changes from a British-influenced lyrical tradition to an art that evokes the ruggedness （朴实） and roots of an Irish Celtic past. At the turn of the twentieth century Irish painters, including notables Walter Frederick Osborne and Sir William Orpen, looked elsewhere for influence. Osborne’s exposure to ’plain air’ painting deeply impacted his stylistic development; and Orpen allied himself with a group of English artists, while at the same time participated in the French avant-garde experiment, both as painter and teacher.However, nationalist energies were beginning to coalesce （接合 ）， reviving interest in Irish culture-including Irish visual arts. Beatrice Elvery’s （1907）， a landmark achievement, merged the devotional simplicity of fifteenth-century Italian painting with the iconography （图像学） of Ireland’s Celtic past, linking the history of Irish Catholicism with the still-nascent （初生的 ）Irish republic. And, although also captivated by the French plain air school. Sir John Lavery invoked the mythology of his native land for a 1928 commission to paint the central figure for the bank note of the new Irish Free State. Lavery chose as this figure, with her arm on a Celtic harp （竖琴）， the national symbol of independent Ireland.In Irish painting from about 1910, memories of Edwardian romanticism coexisted with a new sense of realism, exemplified by the paintings of Paul Henry and Se Keating, a student of Orpen’s. Realism also crept into the work of Edwardians Lavery and Orpen, both of whom made paintings depicting World War I, Lavery with a distanced Victorian nobility, Orpen closer to the front, revealing a more sinister and realistic vision. Meanwhile, counterpoint （ 对照 ） to the Edwardians and realists came Jack B. Yeats, whose travels throughout the rugged and more authentically Irish West led him to depict subjects ranging from street scenes in Dublin to boxing matches and funerals. Fusing close observations of Irish life and icons with an Irish identity in a new way, Yeats changed the face of Irish painting and became the most important Irish artist of his century.

It is implied was least influenced by the contemporary art of France.

A．Sir John Lavery

B．Sir William Orpen

C．Beatrice Elvery

D．Se Keating
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