问题 问答题

Yado Steel Co Ltd (Yado Steel) entered into a loan agreement with Industry Bank to borrow RMB 20 million yuan for its expansion programme. Yado Steel provided its office building as property mortgaged for the debt, and made the registration as required. Mr Ding, one of the shareholders of Yado Steel, placed a guarantee letter of general liability in favour of Industry Bank.Due to poor performance, Yado Steel failed to repay the debt when it came to maturity. Meanwhile, Industry Bank, under a restructuring plan, transferred the credit of RMB 20 million yuan together with the right of pledge to Oriental Assets Management Co (OAM). It also made a written notice to Yado Steel and Mr Ding, but failed to transfer the right of mortgage to OAM. On the contrary, Industry Bank concluded an agreement with Yado Steel before it went bankrupt, and settled other debts owed by the latter through the sale of the office building as mortgaged for the loan. Having found this fact, OAM, as a transferee of the credit, requested the court to order Mr Ding to bear its guarantor’s liability for the debt. Mr Ding asserted that he was a pledger with a general liability and would be responsible for the debt only if the things mortgaged could not satisfy the debt.Required:Answer the following questions in accordance with the relevant provisions of the Property Law and the Contract Law, and give your reasons for your answer:

(a) State whether the defence of Mr Ding should be supported by the court. (6 marks)

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阅读理解与欣赏

阅读下面一首唐诗,然后完成问题。

李凭箜筏引

李贺

吴丝蜀桐张高秋,空山凝云颓不流。

江娥啼竹素女愁,李凭中国弹箜篌。

昆山玉碎凤凰叫,芙蓉泣露香兰笑。

十二门前融冷光,二十三丝动紫皇。

女娲炼石补天处,石破天惊逗秋雨。

梦入神山教神妪,老鱼跳波瘦蛟舞。

吴质不眠倚桂树,露脚斜飞湿寒兔。

1.下面对李贺诗分析不正确的一项是(  )

A.“昆山玉碎凤凰叫”是写乐曲的激越清脆和婉转柔美,着重表现乐曲的曲调旋律的变化。

B.“芙蓉泣露香兰笑”用荷花、兰花的表情,通过视觉、嗅觉来表达,着重表现乐曲感情的变化。

C.“十二门前融冷光,二十三丝动紫皇”运用夸张的手法,说明乐曲使世间的凡人和天上的大帝都感受到了。

D.“吴质不眠倚桂树,露脚斜飞湿寒兔”写月中仙人吴刚因听音乐而彻夜不眠,倚着桂树,任凭晨露沾湿。

2.下面对李贺诗分析不正确的一项是(  )

A.本诗结尾戛然而止,好像全曲未完,具有意味深长、余音绕梁的艺术效果。

B.诗人的想象、比喻和夸张大胆奇特,出人意料,有一定的怪诞色彩。

C.本诗运用了许多典故,并赋予了新的意义,老鱼、瘦蛟的表现更突出了李凭高超的弹技。

D.本诗意境天真自然,思路清晰明快,意象完整和谐。

3.后人论及李贺的《李凭箜篌引》和白居易的《琵琶行》两诗言“……皆摹写声音至文。……李足以泣鬼,白足以移人”。试从创作风格的角度,说明两诗“泣鬼”“移人”之处。

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