问题 阅读理解

阅读理解

     Hidden in our subconsciousness(潜意识)is a perfect mental picture.  We see ourselves on a long trip

that goes across the continent. We are traveling by train. Out the windows, we think in the passing scene

of cars on nearby highways,  of children waving at a crossing , of cattle feeding on a distant hillside, of

smoke pouring from a power plant, or row upon row of corn and wheat, of flat lands and valleys, of

mountains and rolling hills, of city skylines and village halls.

     But uppermost in our minds is the final destination.  On a certain day at a certain hour, we will pull into

the station. Bands will be playing and flags waving. Once we get there, so many wonderful dreams will

come true and the pieces of our lives will fit together like a completed jigsaw puzzle. How restlessly we

pace the aisles, condemning(谴责)the minutes for loitering(虚度)- waiting, waiting,  waiting for the

station.

     "When we reach the station, that will be it!"we cry. "When I'm 38." "When I buy a new 450SL

Mercdes Benz!""When I put the last kid through college.""When I have paid off the debt!" "When I get

a promotion.""When I reach the age of rement, I shall live happily ever after!"

     Sooner or later, we must realize there is no station, no one place to arrive at once and for all. The

true joy of life is the trip. The station is only a dream.It constantly outdistances us.

     "Relish(appreciate) the moment" is a good motto,  actually it isn't the burdens of today that drive man

mad. It is the regret over yesterday and the fear of tomorrow. Regret and fear are twin thieves who rob

us of today.

     So stop pacing the aisles and counting the miles. Instead, climb more mountains, eat more icecream,

swim more rivers,  watch more sunsets, laugh more and cry less. Life must be lived as we go along.

Then the station will come soon enough.

1. Why does the author describe the mental picture?

A. To lead us into a perfect world.    

B. To let people enjoy the scenery.

C. To introduce an actual trip of his.  

D. To compare it to our life's journey.

2. How do people feel when they're on their trip?

A. Puzzled.    

B. Happy.    

C. Relaxed.      

D. Impatient.

3. What does the author mean by "Regret and fear are twin thieves who rob us of today" in Line

    2 Paragraph 5?  

A. Regret and fear are responsible for the loss of today.

B. We must be careful of the two thieves: regret and fear.

C. Regret and fear stop us from enjoying our present life.

D. We're frequently challenged by the two: regret and fear.

4. Why does the author write the passage?

A. To teach us a good lesson.        

B. To tell us the right attitude to life.

C. To advise us to forget our worries.

D. To stop us wandering along the aisles.

答案

1-4: DDCB     

阅读理解与欣赏

阅读下面的文字,完成小题。

“遗产经济学”的文化后患

①一向受到冷落的传统文化,仿佛突然峰回路转、柳暗花明了。

②从一个“牛郎织女”故事,六个省明争暗斗,到一个“梁祝故里”传说,十几个城市虎视眈眈,直至如今山西两地对“帝尧故里”的文化攻势。近年来,文化遗产争夺战可谓烽烟四起、高潮迭出。

③遗憾的是,这并不能代表可喜的民族文化自觉与文物保护意识增强。在志在必得的“文化激情”背后,是利益驱动下“遗产经济学”的精细打算——“每挖掘一个名人故里,就可以开发一个旅游景点,带来可观的经济收入。”

④将文化遗产,视为地方经济的“摇钱树”,这样的观念,在目前的中国已经有了很多现实注脚。我们在册的世界文化遗产,十分之一由于“过度开发”受到警告便是明证。不少已经夺得文化遗产“归属权”的地方,以创收为核心,将文化演变为商业,大张旗鼓地进行着杀鸡取卵式的经营。

⑤这当然不是传统文化的“利好”,而是历史文化的灾难。

⑥当三江并流、都江堰、武当古刹等文化古迹传出“过度开发”的消息,当几乎每一种有魅力的文化都必有浩浩荡荡却毫无魅力的新建“伪文化”,甚至每一部古典文化名著,都演化为一座荒唐可笑的娱乐场时,不仅观众失去了文化的共鸣,历史文化也在被切割、破坏和颠覆。

⑦值得关注的是,这些年来,“遗产经济学”有了新的表现形式。在许多愈演愈烈的文化名人争夺战中,人们频繁看到当地政府的身影。

⑧今年上半年短短6个月里,一些政府参与的公祭活动席卷南北——陕西黄陵、河南周口与甘肃天水瓜分了伏羲;湖北竹山、河北邯郸、甘肃天水和山西万荣等地共享了女娲;陕西黄陵和河南新郑分食黄帝;河南焦作、湖南炎陵和山西高平肢解炎帝;湖南宁远跟山西运城一起争夺舜帝……

⑨由于地方政府的高调介入与认同,一些耗资巨大的标志性“文化符号”也应运而起。“帝尧故里”争夺战中,临汾修建了“中 * * 文明之门”的华门,这座出手不凡的大制作从规模到设计处处“天下第一”。在此之前,长达21公里的“华夏第一祖龙”,高达近40米的刘邦铜像,在河南两地被轰轰烈烈地打造。

⑩政府参与社会事业的文化构建,本没有错。但问题是,这样的建设应当以公共文化服务为重点。面对此起彼伏的“争夺战”与“伪文化”浪潮,政府本应做正确的引导,为何却成了推波助澜的主导?

11实际上,逐步升格的“崇古活动”与不断新建“文化标记”,已经成为一些地方新一轮面子工程的集体亮相,甚至有些国家级贫困县也卷入其中。在光大传统、发展文化的口号之下,一些官员的心中,不仅有对经济效益的图谋,更有对“政绩收益”的盘算。他们用行政拨款下注,看能否博取更大的利益,创造经济——文化——政治的多赢。

12让经济利用,被政治挟持,结果是,以文化为名义的文化行动,非但没有为社会繁荣带来推力,没有增强我们的历史文化意识,反而推助了急功近利、惟利是图的社会风气,加剧了好大喜功、铺张浪费的官场恶习,留下了沉重的文化欠债和社会成本。

13这恐怕是“遗产经济学”更大的后患!

小题1:本文所说的“遗产经济学”具有怎样的表现特征?

小题2:为什么在一些地方出现了“文化遗产争夺战”与“伪文化”建设浪潮?地方政府在社会文化事业构建中应持有怎样的态度?

小题3:本文所说的“遗产经济学”具有哪些文化后患?

单项选择题