问题 单项选择题

阅读下文,完成下列问题。

一个可以由此得生,也可以由此得死的时代是大时代。大时代总要产生巨人。

鲁迅是巨人。他不是帝王,不是 * * ,他无须挥舞权杖。作为旧世界的逆子贰臣,唯以他的人格和思想,召引了大群年青的奴隶。他把对于民族和人类的热爱理解得那么深沉,乃至他的目光,几乎只让人望见直逼现实的愤怒的火焰。数千年的僵尸政治,“东方文明”,专利,强暴,虚伪,保守和蒙昧,都是他攻击的目标。他教奴隶们如何反抗,如何“钻网”,如何进行韧性的战斗。他虽然注重实力的保存,却不惮牺牲自己,必要时照例地单身鏖战。在一生中,他呐喊过也彷徨过,(1)甚至在横站着作战的晚年仍然背负着难耐的寂寞,(2)但是从来耻于屈服和停顿。中国的思想文化界,没有一个人像他一样赢来众多的“私敌”,(3)没有一个像他一样招致密集的刀箭,(4)因此,也就没有一个像他一样获得更为辉煌的战绩。他所凭借的仅仅是一支“金不换”,便在看不见的但却是无比险恶的战场里,建树了超人一等的殊勋。

在他身后,自然要出现大大小小的纪念会,石雕、铜像以及传记,可悲哀的是:当再度被赋予形体的时候,这个始终屹立于人间的猛士,却不止一次地经过有意无意的铺垫与厚饰,成了奥林匹斯山上的宙斯。

平凡的伟大才是真正的伟大。鲁迅是“人之子”,人所具有的他都具有。正因为他耳闻了愚妄的欢呼和悲惨的呼号,目睹了淋漓的鲜血升腾的地火,深味了人间一切苦辛,在他的著作中,古老而艰深的象形文字,才会变得那么平易,那么新鲜,那么富于生命的活力。

这样一个毕生以文字从事搏战的人,他的形象,其实早经文学本身表达无遗了。世间纪念物,丝毫也不能为他增添或减损些什么,无非是后人的一种感念而已。如果它所激发的,不是对真理的渴求,不是奔赴生活的勇气和变革现实的热情,而是宗教式的膜拜,那么毋宁说:我们什么都不需要!

历史人物之所以伟大,正在于我们可以因他而深刻地意识到自身的存在,在存在的方式的选择中间,我们根本不愿拒绝他的灵魂的参与。鲁迅就是这样的一个人。他没有把黄金世界轻易预约给人类,却以燃烧般的生命,成为千千万万追求者的精神的火光。真正的巨人活在时间的深度里。应当相信,历史终会把最有分量的东西保留下来。

根据本文提供的信息,下列推断正确的一项是()。

A.“挥舞权杖”的人可以成为巨人,不挥舞权杖的人也可以成为巨人。

B.鲁迅的一生中有过许多私敌,受到众多私敌的猛烈攻击。

C.鲁迅的伟大是客观存在的,那些纪念物,石雕、铜像等是毫无意义的。

D.鲁迅在思想文化战线上的辉煌业绩是在长期的斗争中建立起来的。

答案

参考答案:D

解析:

[详解] 本题考查对文意的理解。A项属任意引申,B项“私敌”是否定的说法;C项的结论在文中缺乏依据。

阅读理解

Throughout the history of the arts,the nature of creativity has remained constant to artists.No matter what objects they select,artists are to bring forth new forces and forms that cause change—to find poetry where no one has ever seen or experienced it before.

Landscape(风景) is another unchanging element of art.It can be found from ancient times through the 17th-century Dutch painters to the 19th-century romanticists and impressionists.In the 1970s Alfred Leslie,one of the new American realists,continued this practice.Leslie sought out the same place where Toomas Cole,a romanticist,had produced paintings of the same scene a century and a half before.Unlike Cole who insists on a feeling of loneliness and the idea of finding peace in nature,Lealie paints what he actually sees.In his paintings,there is no particular change in emotion,and he includes ordinary things like the highway in the background.He also takes advantage of the latest developments of color photography(摄影术) to help both the eye and the memory when he improves his painting back in his workroom.

Besides,all art begs the age-old question:What is real?Each generation of artists has shown their understanding of reality in one form or another.The impressionists saw reality in brief emotional effects,the realists in everyday subjects and in forest scenes,and the Cro-Magnon cave people in their naturalistic drawings of the animals in the ancient Forests.To sum up,understanding reality is a necessary struggle for artists of all periods.

Over thousands of years the function of the arts has remained relatively constant.Past or present,Eastern or Western,the arts are a basic part of our immediate experience.Many and different are the faces of art,and together they express the basic need and hope of human beings.

小题1:The underlined word “poetry” most probably means______.

A.an object for artistic creation

B.a collection of poems

C.an unusual quality

D.a natural scene小题2:Leslie’s paintings are extraordinary because______.

A.they are close in style to works in ancient times

B.they look like works by 19th-century painters

C.they draw attention to common things in life

D.they depend heavily on color photography小题3:What is the author’s opinion of artistic reality?

A.It will not be found in future works of art.

B.It does not have a long-lasting standard.

C.It is expressed in a fixed artistic form.

D.It is lacking in modern words of art.小题4:What does the author suggest about the arts in the last paragraph?

A.They express people’s curiosity about the past.

B.They make people interested in everyday experience.

C.They are considered important for variety in form.

D.They are regarded as a mirror of the human situation.小题5:Which of the following is the main topic of the passage?

A.History of the arts.

B.Basic questions of the arts.

C.New developments in the arts.

D.Use of modern technology in the arts.四、写作(共两节,满分35分)

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