填空。（5分）（1）《送杜少府之任蜀州》中，两句，写尽了朋友_爱下问搜题

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问题默写题

填空。（5分）

（1）《送杜少府之任蜀州》中，两句，写尽了朋友之间友情的真挚，不因为相隔千里而感情淡漠。

（2）《宣州谢脁楼饯别校书叔云》中，两句，写尽了千古愁绪，借酒消愁而愁肠百结。

（3）《早春呈水部张十八员外》中，两句，写出了初春时节春雨春草的特有情致。

（4）《无题》中，两句，表现了爱情的坚贞，意境新奇，诗味隽永，已成为千古传诵的名句。

（5）《登飞来峰》中，两句与杜甫“会当凌绝顶，一览众山小”有异曲同工之处。

答案

（1）海内存知己，天涯若比邻（2）抽刀断水水更流，举杯消愁愁更愁（3）天街小雨润如酥，草色遥看近却无（4）春蚕到死丝方尽，蜡炬成灰泪始干（5）不畏浮云遮望眼，自缘身在最高层

题目分析：5个小题都属于理解性默写，仔细揣摩提示句，写出最恰当的诗句。小题4注意“蜡炬”的写法，小题5注意“自缘”的写法。古诗文名句的默写，要想不失分，关键在于平时强化记忆，做到“三不”：不漏字、不添字、不写错别字。

选择题

图表示某地某日树影变化，F1表示当地日出时的树影，F2表示当地17时的树影，F2与F1等长。读图完成下题。

下列叙述正确的是：

A．该地此日的昼长是10小时

B．该地正午太阳高度角逐渐减小

C．当树影朝向N时，北京时间是12点

D．该地此日的日出方向是东北

单项选择题

Questions 58 to 62 are based on the following passage:In the past century Irish painting has changes from a British-influenced lyrical tradition to an art that evokes the ruggedness （朴实） and roots of an Irish Celtic past. At the turn of the twentieth century Irish painters, including notables Walter Frederick Osborne and Sir William Orpen, looked elsewhere for influence. Osborne’s exposure to ’plain air’ painting deeply impacted his stylistic development; and Orpen allied himself with a group of English artists, while at the same time participated in the French avant-garde experiment, both as painter and teacher.However, nationalist energies were beginning to coalesce （接合）， reviving interest in Irish culture-including Irish visual arts. Beatrice Elvery’s （1907）， a landmark achievement, merged the devotional simplicity of fifteenth-century Italian painting with the iconography （图像学） of Ireland’s Celtic past, linking the history of Irish Catholicism with the still-nascent （初生的）Irish republic. And, although also captivated by the French plain air school. Sir John Lavery invoked the mythology of his native land for a 1928 commission to paint the central figure for the bank note of the new Irish Free State. Lavery chose as this figure, with her arm on a Celtic harp （竖琴）， the national symbol of independent Ireland.In Irish painting from about 1910, memories of Edwardian romanticism coexisted with a new sense of realism, exemplified by the paintings of Paul Henry and Se Keating, a student of Orpen’s. Realism also crept into the work of Edwardians Lavery and Orpen, both of whom made paintings depicting World War I, Lavery with a distanced Victorian nobility, Orpen closer to the front, revealing a more sinister and realistic vision. Meanwhile, counterpoint （对照） to the Edwardians and realists came Jack B. Yeats, whose travels throughout the rugged and more authentically Irish West led him to depict subjects ranging from street scenes in Dublin to boxing matches and funerals. Fusing close observations of Irish life and icons with an Irish identity in a new way, Yeats changed the face of Irish painting and became the most important Irish artist of his century.

Which of the following best explains the author’s use of the word ’counterpoint’ in referring to Yeats

A．Yeats’ paintings differed significantly in subject matter from those of his contemporaries in Ireland.

B．Yeats reacted to the realism of his contemporary artists by invoking nineteenth-century naturalism in his own painting style.

C．Yeats avoided religious and mythological themes in favor of mundane portrayals of Irish life.

D．Yeats built upon the realism painting tradition, elevating it to unprecedented artistic heights.