问题 问答题

下面是一段关于劳动创造价值论的材料: 第二次世界大战以后,一些发达资本主义国家生产自动化水平达到了空前规模。20世纪60年代工业机器人的出现,使得资本主义生产过程中除了“蓝领”和“白领”以外又增添了“钢领”即机器人。 据此,西方一些经济学家和社会学家声称劳动价值论过时了,现代化的机器和劳动一样创造价值和剩余价值,比如丹尼尔·贝尔说:“在电子计算机时代,技术起着决定作用,因此,马克思的劳动价值论也要改变,过去是劳动创造价值,现在是知识与技术创造价值。”约翰·奈斯比特在《大趋势:改变我们生活的十个新方向》中指出:“在信息经济社会,价值的增长不是通过劳动,而是通过知识来实现的。” 运用所学相关知识评析上述材料观点是否正确并阐明理由。

答案

参考答案:

解析:(1)上述观点混淆了使用价值和价值的区别,现代化的机器由于提高了劳动生产率,创造了更多的使用价值,但并没有创造更多的价值,当然,率先采用现代化机器的资本家可以获得超额剩余价值。 (2)上述观点也混淆了不变资本和可变资本的区别,现代化机器只是不变资本,在生产过程中,只转移自身的价值,不会创造新价值。工人的劳动和剩余劳动是创造价值和剩余价值的唯一源泉。 (3)使用自动化机器的企业之所以能获得更多的剩余价值,—是因为这些企业工人的劳动是复杂劳动,可以创造更多的价值和剩余价值;二是因为它们可以获得超额剩余价值。[思路点拨] 本题考点比较明确,观点正误也比较清楚,重要的是怎么样组织答案。回答本题主要要根据马克思主义劳动价值论的基本观点,结合不断发展的实际问题进行评析。

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     The Parthenon in Athens is a building with a long and complex history. Built nearly 2 500 years ago as

a temple celebrating the Greek goddess Athena, it was for thousands of years the church of the Virgin Mary

of the Athenians, then a mosque (清真寺), and finally a ruin. The building was changed and the sculptures

much damaged over the centuries. By 1800 only about half of the original sculptural decoration remained.

     Between 1801 and 1805, Lord Elgin, the British ambassador to the Ottoman Empire, which controlled

Athens, acting with the full knowledge and permission of the Ottoman authorities, removed about half of the

remaining sculptures from the fallen ruins and from the building itself. Lord Elgin loved Greek history and

transported the sculptures back to Britain. The arrival of the sculptures in London had a huge effect on the

European public, greatly increasing interest in ancient Greek culture and influencing contemporary artistic

trends. These sculptures were acquired from Lord Elgin by the British Museum in 1816 and since then they

have all been on display to the public, free of charge.

     Since the early 1980s, however, the Greek government has argued for the permanent removal to Athens

of all the Parthenon sculptures in the British Museum. They have also challenged the British Museum Board

of Trustees' legal title to the sculptures.

     The British Museum, however, insists that it exists to tell the story of cultural achievement throughout

the world, from the dawn of human history over two million years ago until the present day. The museum

considers itself an important resource for the world: the breadth and depth of its collection allows the world

public to re-examine cultural identities and explore the complex network of interconnected world cultures.

     It also says that, within the context of this unparalleled collection, the Parthenon sculptures are an

important representation of ancient Athenian civilization. Each year millions of visitors admire the artistry of

the sculptures and gain insights on how ancient Greece influenced-and was influenced by-the other civilizations

that it encountered.

1. For most of its history, people went to the Parthenon to _____. [ ]

A. admire the goddess Athena

B. pray to their god

C. search for sculptures

D. learn about its complex history

2. The underlined "it" (in Paragraph 4) refers to "_____". [ ]

A. the British Museum

B. the Greek government

C. the Parthenon

D. the British Museum Board of Trustees

3. What can we infer from the passage? [ ]

A. The sculptures introduced ancient Greek culture to the west.

B. Ancient Greek culture has greatly influenced world culture.

C. The British Museum has made much money from the Parthenon sculptures.

D. The British Museum is the place most capable of preserving these sculptures.

4. What can we learn about Lord Elgin from the passage?[ ]

A. He is greatly admired in Greece.

B. He worked for the Ottoman Empire.

C. He saved the Parthenon sculptures from being destroyed.

D. He had a deep interest in Greek culture.

5. The author's main intention in writing this passage is to tell _____. [ ]

A. the history of the Parthenon and its sculptures

B. what people can see in the British Museum

C. why the British Museum refuses to return the sculptures

D. the influence of Greece on British culture