问题
完形填空
| 完形填空。 | ||||
| My mom passed away on April 22, 1991. I was the last person she had spoken with. I didn't have a great life, but I had what I 1 so I was very angry with my mother. She had a car accident in 1989, which took her 2 . I would not go to see my mother die. I could not feel bad, 3 could I feel any pleasure. Thank God, she 4 through the night, because I would never fogive myself for not seeing her, if she had died. My mom suffered 5 anyone I have ever heard. She broke 7 ribs (肋骨), broke 6 legs, ankles and knees. She lived, thank God. The doctors said that she would not be able to 7 as an "able" person. My mom blew these people out of the water! I was there when she died April 22, 1991. She walked, talked, and did 8 , besides, she added in being the "Mom" I always 9 for. However, finally she 10 on April 22, and I was home. My mom told me many things on the Saturday, before she died. I told her about all of my pain, just 11 she was actually listening to me! Needless to say,my mom is a woman with so much 12 . I learned this too late. It was at that time that I 13 that my mother devoted all her 14 and care to me. She came to me in a 15 one week after her death. I did not 16 at the funeral. I had to be 17 , like my mom was. All I wanted to do is to 18 my mom. I had the most 19 dream of my life. My mom came to me, and she looked so pretty, and healthy! I asked her why she was "here" (in my dream), and she 20 the last "hug". I hugged her so hard in my dream that I asked her, "Did I hurt you?" And she said, "I don't hurt anymore." | ||||
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答案
1-5: A D C B A 6-10: B D C A B 11-15: D C A B A 16-20: D B C C B
彦远曾在《历代名画记》一书中高度评价了隋代画家展子虔的界画，他还评价了董伯仁的界画是“楼生人物，旷绝古今”。到了唐代，李思训父子的界画达到了很高的境界，他们父子继承了隋代展子虔的画风，并有较大的发展，界画技巧更为成熟。故宫博物院收藏有几件李派风格的作品，其中《宫苑图》描画工细，设色浓丽，金碧辉煌，洋溢着唐王朝欣欣向荣的时代精神。
魏时期，洛阳地区盛极一时的宗教建筑，成为界画的主要题材。数万间佛寺落墨于数万计的图本，可谓是“雕梁粉壁，青缫绮疏，难得尽言。”但是，界画也有其自身的弱点，由于过分精细，画者不仅要具有极深的绘画功底，同时还需耗费大量的时间和精力，不少文人画家为了挥洒自如，纵情于一时灵感，不太愿意把精力花费在界画创作上，久而久之，人们视界画为工匠们所为，而不屑一顾。这种艺术上的偏见一直延续至今。因此，自从18世纪初以来的约300年间，中国画坛上仅仅出现过3位有建树的界画家：清代的袁江、袁耀和1979年去世的江西画家黄秋园。在 18世纪下半叶、整个19世纪和20世纪初期的将近200年时间里，界画艺术领域是一片荒凉的废墟。然而，在元代出现了一个有趣的现象。元代有几位画家因向皇宫献界画而被重用，甚或升官。其中最著名者为何澄、王振鹏。何澄曾向皇帝进献界画佳作《姑苏台》、《阿房宫》、《昆明池》，得到皇帝器重，官至昭文馆大学士，中奉大夫。王振鹏很得元仁宗赏识，献上《大明宫图》，竭力迎合，仁宗赐他在秘书监任职。在献画风气的影响下，不少文人画家从事界画，即使非专职，亦兼而能之。