问题 材料分析题

台湾问题专家李逸舟在2009年《中国评论》月刊十一月号发表专文《法理情三维建构下的“一中原则”》,解读一中原则的法理情内涵。李逸舟认为:“两岸关系事有千端,全面地、坚定不移地落实一个中国原则是核心所在。它一方面要求台湾当局更加明确地坚持体现一中原则的‘九二共识’,更加明确在排除人们对台湾未来走向上的疑虑;一方面要求大陆进一步合情合理地看待台湾当局应有的政治地位,并继续协商解决台湾参与国际活动的问题。在两岸关系历史当口,双方均须戒慎恐惧,小心呵护,务使近年两岸关系出现的良性互动不断深化,巩固发展。”

阅读材料结合所学知识回答一下问题。

(1)两岸统一的最佳方式是什么?

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(2)我国解决台湾问题的基本方针是什么?

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(3)为什么要反对“台独”?

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(4)青少年应该怎样为实现祖国统一贡献力量?(你准备为促进祖国统一做些什么?)

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答案

(1)和平统一,一国两制。

(2)一国两制。

(3)因为台湾自古以来就是中国领土不可分割的一部分,每个公民有维护国家统一和民族团结的义务。完成祖国统一大业是包括台湾同胞在内的全体中国人民的共同职责。“一国两制”是实现祖国统一的基本方针,实现祖国的完全统一,己成为不可阻挡的历史潮流。陈水扁言行的实质就是搞台独,是挑战一个中国原则,是分裂国家主权和领土完整的行为,这一言行威胁了两岸的和平稳定,损害了中 * * 的根本利益。我们积极以和平方式解决台湾问题,但决不承诺放弃使用武力。当某些人试图把祖国分裂出去的时候,我们会不惜一切代价,维护祖国的统一!

(4)①自觉履行维护国家统一的义务,维护国家主权和领土完整,维护国家安全、荣誉和利益②积极拥护和支持我国政府对台湾问题的方针和立场,坚持一个中国的原则,维护国家主权,反对“台独”。③积极宣传我国对台政策,坚决同破坏祖国统一的言行作斗争;④努力学习,立志成才,报效祖国,为完成祖国统一大业作贡献。

单项选择题
单项选择题

Writing about music is like dancing about architecture, or so the saying goes. Sometimes attributed to Frank Zappa, other times to Elvis Costello, this quote is usually intended to convey the futility of such an endeavor, if not the complete silliness of even attempting it. But Glenn Kurtz’s graceful memoir, Practicing: A Musician’s Return to Music, turns the expression on its head, giving it a different meaning by creating a lovely, unique book.
Kurtz picked up the guitar as a kid in a music-loving family, attended the Long Island music school, and went on to play on Merv Griffin’s TV show before graduating from Tufts University. Motivating the young Kurtz was the dream of reinventing classical guitar, as if by his great ambition alone he could push it from the margins of popular interest to center stage-something not even accomplished by the late Spanish guitarist Andres Segovia, perhaps the only artist of the form ever to reach anything resembling widespread celebrity.
This book reads like a love story of sorts: Boy meets guitar. Boy loves guitar. Guitar breaks boy’s heart or, more precisely, the ordinariness of a working musician’s life does so. "I’d just imagined the artist’s life naively, childishly, with too much longing, too much poetry and innocence and purity," Kurtz writes. "The guitar had been the instrument of my dreams. Now the dream was over. "
Boy leaves guitar. Were the story to end here, this book would be a tragedy, but after nearly a decade the boy returns to guitar, and although he has lost the enthusiasm he had in his youth, he finds his love of the guitar again in a way he never could have appreciated before.
Although Kurtz is writing about a unique musical path, his journey speaks eloquently to the heart of anyone who has ever desperately yearned to achieve something and felt the sting of disappointment. "Everyone who gives up a serious childhood dream—of becoming an artist, a doctor, an engineer, an athlete—lives the rest of their life with a sense of loss, with nagging what it is," he writes. "Is that time and effort, that talent and ambition, truly wasted \

According to the passage, Andres Segovia ______.

A.helped Glenn Kurtz to become a good guitarist

B.made classical guitar become a popular form

C.was a well-known classical guitarist

D.was Glenn Kurtz’s role model