问题 选择题

读“自然资源利用与社会经济发展示意”,完成

小题1:图中甲表示

A.海洋资源

B.土地资源

C.煤炭资源

D.矿产资源小题2:随着人类社会经济的发展

A.开发自然资源的广度和深度越来越大

B.自然资源对产业布局的影响越来越强

C.利用自然资源的数量越来越少

D.人地关系的认识越来越简单

答案

小题1:B

小题2:A

小题1:本题考查自然资源对人类社会的影响。图示甲在农业社会的作用较强,为土地资源。所以本题选择B选项。

小题2:本题考查自然资源和人类社会的关系。随着人类社会经济的发展开发自然资源的广度和深度越来越大,自然资源对人类社会的影响减弱。所以本题选择A选项。

单项选择题
单项选择题

Sofia Coppola’s "Lost in Translation" is a funny, bittersweet movie that uses cultural dislocation as a metaphor for people who have gotten lost in their own lives. The movie contains priceless slap-stick from Bill Murray, finely tuned performances by Murray and the beautiful Scarlett Johansson and a visual and aural design that cultivates a romantic through melancholy mood. In only her second feature, Coppola has made a poised, intelligent film that nicely balances laughs with a poignancy rarely seen in American movies. If Focus Features markets "Lost in Translation" carefully, this most original comedy could win audiences well beyond art houses.
Bob Harris (Murray) is a grumpy movie star in town to shoot a whiskey commercial. He is not only plagued by jet lag and gloom over a deteriorating marriage of many years, he is also in the midst of a midlife crisis that dampens his spirits but not his wit.
Charlotte (Johansson) , the neglected wife of a photographer, experiences a similar air-condl-tioned nightmare. Married two years, she already feels lost in the relationship, unable to partici-pate in her husband’s career or pinpoint what she wants out of life. When she ventures into the city, she is confronted by a distorted version of Western modernity.
These two people discover each other late at night at the bar. Neither one can sleep. A friend-ship evolves in their mutual isolation.
Coppola sees in Tokyo’s crowded, neon-lit urban landscape a society estranged from its own culture. The night is filled with pleasure-seekers obsessed by games, toys and American pop culture. Only when Charlotte takes a train to Kyoto is she able to experience the old Japan of ancient temples and gardens, tea houses and kimono-clad figures. This role fits Murray like his own skin. A middle-aged burnout who sees no challenges on his horizon gradually changes into a man revitalized by another alienated soul. His comic touch enriches the character with a self-deprecating wit and in a few sequences, a rubbery physicality that earns sustained laughs. Johansson makes Charlotte’s loneliness and disillusionment palpable as the woman is cut off from life in ways she never imagined.
Using high-speed film stock, cinematographer Lance Aeord gives the glaring neon and num-bingly sleek interiors a kind of romantic sheen. The score produced by Brian Reitzell created out of Japanese musical themes and "Tokyo dream-pop" adds to the sense of an Eastern city that has succumbed in large measure to Western culture.

The word "pinpoint" underlined in Paragraph 3 is closest in meaning to ______.

A.subscribe exactly

B.know

C.confirm

D.point out