问题 阅读理解与欣赏

依据下列句子的语境和要求填写横线上的名句

6、“梅兰竹菊”常被人尊称为四君子。梅花怒放严冬,却冰清玉洁,品质高尚,历来受诗人敬仰与赞歌。王安石的“_____,_____”含蓄地写出了梅花色香俱佳的特点;陆游的名词《咏梅》中“_____,_____”两句借梅花来写自己的境遇和不愿同流合污的品质;元人王冕《墨梅》中的“_____,_____”也写出了梅花的质地。

7、“文章憎命达”。这是杜甫对李白的评价,而他自己又何曾不是这样呢?《登高》中“万里悲秋常作客,_____”,《登岳阳楼》中“______,_____”和《旅夜抒怀》中的“_____,__________”都形象地反映了他生前生活的窘迫和仕途的坎坷。

8、古人云:谋事在人,成事在天。一个人不努力肯定是不成功的。《荀子?劝学》中说:“锲而舍之,朽木不折;____,_____。”欧阳修在《伶官传序》中说:“_____,_______。”然而一个人努力了不一定能成功,只要尽力了,也就没有什么后悔的啦。正如王安石在《游褒禅山记》中所说的“_________,可以无悔矣”一样。

9、在古代诗词中,描写秋天不同景象的名句比比皆是。如马致远《天净沙?秋思》开头几句“_____,_____,_____,_____”就写出了秋天的凄清、肃杀的景象;王实甫在《长亭送别》中也描绘了这样一幅图画:“____,____,____,北雁南飞。晓来谁染霜林醉?总是离人泪。”而王维《山居秋暝》中“空山新雨后,天气晚来秋。_____,_____”却写出了清秋之夜的静谧;杜甫《登高》中“风急天高猿啸哀,渚清沙白鸟飞回。______,______”却写出了秋天景象的阔美。

10、“莲”与“怜”字同音,在古诗中人们常用“莲”来表达爱情。如南朝乐府诗《西洲曲》中的“采莲南塘秋。莲花过人头;_____,_____。”写出了采莲女情窦初开的心思。周敦颐《爱莲说》中“______,_____,____,____,香远益清,亭亭净植,可远观而不可亵玩焉。”准确地写出了莲花的品质。

答案

5、夕餐秋菊之落英  不是花中偏爱菊,此花开尽更无花  宁可枝头抱香死  

6、遥知不是雪,为有暗香来  零落成泥碾作尘,只有香如故  不要人夸颜色好,只留清气满乾坤

7、百年多病独登台  亲朋无一字,老病有孤舟  名岂文章著,官应老病休

8、锲而不舍,金石可镂  忧劳可以兴国,逸豫可以亡身  尽吾志也而不能至者

9、枯藤老树昏鸦,小桥流水人家,古道西风瘦马,夕阳西下  碧云天,黄花地,西风紧

明月松间照,清泉石上流  无边落木萧萧下,不尽长江滚滚来

10、低头弄莲子,莲子清如水  出淤泥而不染,濯清涟而不妖,中通外直,不蔓不枝

单项选择题 案例分析题
填空题

[A] Is that what the American viewing public is getting.’ Perhaps 10% of prime-time network programming is a happy combination of entertainment and enrichment. There used to be television-movies rich in human values,, but they have now become an endangered species. I find television too much concerned with what people have and too little concerned with who they are, very concerned with taking care of No. 1 and not at all concerned with sharing themselves with other people. All too often it tells us the half truth we wan! to hear rather than the whole truth we need to hear.

[B] Why is television not more fully realizing its humanizing potential Is the creative community at fault Partially. But not primarily. I have lived and worked in that community for 32 years, as both priest and producer. As a group, these people have values. In fact, in Hollywood in recent months, audience enrichment has become their thing. A coalition of media companies has endowed the Humanists Prize so that it can recognize and celebrate those who accomplish it.

[C] Every good story will not only captivate its viewers but also give them some insight into what it means to be a human being. By so doing, it can help them grow into the deeply centered, sovereignty free, joyously loving human being God made them to be. Meaning, freedom and love are the supreme human values. And this is the kind of human enrichment the American viewing public has a right to expect from those who make its entertainment.

[D] The problem with American TV is not the lack of storytellers of conscience but the commercial system within which they have to operate. Television in the U.S. is a business. [n the past, the business side has been balanced by a commitment to public’, service. But in recent years the fragmentation of the mass audience, huge interest payments and skyrocketing production costs have combined with the FCC’s abdication of its responsibility to protect the common good to produce an ahnost total preoccupation with the bottom line. The networks are struggling to survive. And that, the statistics seem to indicate, is mindless, heartless, escapist fare. If we are dissatisfied with the moral content of what we are invited to watch, I think we should begin by examining our own consciences. When we tune in, are we ready to plunge into reality, so as to extract its meaning, or are we hoping to escape into a sedated world of illusion And if church leaders want to elevate the quality of the country’s entertainment, they should forget about boycotts, production codes and censorship. They should work at educating their people in media literacy and at mobilizing them to support quality shows in huge numbers.

[E] It is not a question of entertainment or enrichment. These are complementary concerns and presuppose each other. The story that entertains without enriching is superficial and escapist. The story that enriches without entertaining is simply dull. The story that does both is a delight.

[F] That is the only sure way to improve the moral content of America’s entertainment.

[G] Despite questions of the motivation behind them, the attacks by the President and the Vice President on the moral content of television entertainment have found an echo in the chambers of the American soul. Many who reject the messengers still accept the message. They do not like the moral tone of American TV. In our society only the human family surpasses television in its capacity to communicate values, provide role models, form consciences and motivate human behavior. Few educators, church leaders or politicians possess the moral influence of those who create the nation’s entertainment.

Order:

[G]______→41.______→42.______→43. ______→44. ______→45.______→[F]

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