问题 阅读理解

阅读短文,选择正确答案。

     China is the home of chopsticks. The Chinese began to use them in the Shang dynasty. In the third centry

A.D., chopsticks were introduced to Japan and ended its practice of taking food directly by hand. It was not

until the 15th century A.D. that the knife and fork appeared on the dinner tables in Europe.

     Nowadays the Japanese seem to love chopsticks more deeply than the Chinese. They gave a Chopsticks

Festival that falls on 4th August each year. In their opinion, using chopsticks is good for people's health. They

believe that using chopsticks leads to a clever mind and deft (灵巧的) hands.

     Chopsticks are used now all over the world. They are made not only of bamboo but also of wood, and even

ivory (象牙).

1. Chinese people began to use chopsticks _______. [ ]

A. before the 3rd century A.D.

B. after the 3rd century A.D.

C. in the 3rd century A.D.

D. in the 15th century A.D.

2. Before chopsticks were introduced to Japan, the Japanese took food _______. [ ]

A. with knife and fork

B. by hand

C. with their own chopsticks

D. with something unknown

3. The Japanese love chopsticks because _______. [ ]

A. they can use them to take food

B. they have a Chopsticks Festival

C. they learned how to use them from the Chinese

D. they believe using chopsticks can make them bealthy and clever

4. Why are chopsticks used all over the world? [ ]

A. Because they can be made of many kinds of materials.

B. Because they may be very easy and useful to take food.

C. Because Chinese first began to use them.

D. Because the Japanese love to use them.

5. Which of the following can be the best title of the passage? [ ]

A. The Chinese Invention

B. Chopsticks

C. Chopsticks Are Welcomed All Over the World

D. All Kinds of Chopsticks

答案

1-5: ABDBB

单项选择题 B型题
单项选择题

阅读下面材料,完成下列4题。

甲:王实甫之词如花间美人。铺叙委婉,深得骚人之趣。极有佳句,若玉环之出浴华清,绿珠之采莲洛浦。(朱权《太和正音谱》)

乙:《西厢记》的崔张故事乃千古佳传,人物也很美,无论是张生______ 情之美,莺莺 ______ 情之美,红娘 ______ 情之美,皆 ______ 丽夭矫,沁人心脾,为“花间美人”的艺术风格奠下很好的基础。

丙:艺术风格的形成在很大程度上取决于作者驾驭语言的独特性。剧本和其他艺术形式一样,也是语言的艺术。运用什么样的语言就有什么样的艺术风格,这几乎是不言而喻的。王实甫是我国古代一位杰出的语言艺术大师,他吸收了当时民间生动活泼的口语,继承了唐诗宋词精美的语言艺术,熔化百家,创造了文采斑斓的元曲语汇,成为我国戏曲史上文采派最杰出的代表。《西厢记》“花间美人”的艺术风格,是和全剧到处都有美不胜收的绮词丽语分不开的。

艺术风格还表现在意境的创造方面。王实甫是酿造气氛、描摹环境的圣手。全剧处处有诗的意境,洋溢着诗情画意的气氛……在个别悲剧性的场子里,也依然笼罩着诗的气氛。如《送别》一折,并不着重去渲染主人公摧肝裂胆的痛苦,而是借助古典诗词描写愁恨时特有的一些表现手法,以景写人,达到情景交融的艺术境界。这里没有呼天抢地,没有抱头痛哭,有的是“碧云天,黄花地,西风紧,北雁南飞”那种诗意的迷惘和浓浓的哀愁,依然是一片诗情画意的动人色调,与全剧优美的风格和谐统一。

《西厢记》是一部迷人的诗剧,全剧从头到尾是一首优美动人的爱情诗,它有明快的抒情喜剧的节奏,有“词句警人,余中满香”的艺术语言,有情景交融、诗情画意的环境氛围,所有这一切,汇合成一种独特的风貌和格调,形成了非常优美的“花间美人”的艺术风格。

(《吴国钦(西厢记)艺术谈》,广西人民出版社1983年版)

丁:另外一些人的评论,如明初戏剧评论家何元朗“王实甫才情富丽,真辞家之雄” (《四有斋丛说》),“若《西厢》,才华富瞻”,“为情词之宗”,为“丽曲之最胜者”等等,谈的主要也是文采。过去论曲,以文采、本色划分派别,用以说明一个作家的语言风格,王实甫被认为是文采派的代表作家。其实真正有成就的作家大多是不拘一格的。就以“花间美人”为喻,这个美人是珠光宝气、浓妆艳抹的呢还是“清水出芙蓉,天然去雕饰”呢意见便不尽一致。一种意见是前者,说“《西厢》全带脂粉”,“王词浓而芜”(何良俊《曲论》),就是说打扮过分,着意修饰而丧失本色;另一种意见恰相反,认为华丽浓艳并不是《西厢》的神髓所在,若“语其神,则字字当行,言言本色,可为南北之冠”(徐复祚《曲论》),比它如清水芙蓉,可说是天下第一美人。明代文论家李贽称《西厢》为化工而非画工,其中也有称赞它不待修饰自然美好的意思。以上代表两种截然不同的看法:一认为《西厢》的语言风格是华丽浓艳,一则认为本色自然。这不过是评论者各取所好,偏执一词的说法。真正的美人是集本色、文采于一身,若说王实甫比较注重于文采,那是对的;但因此认为他不擅长本色,就不一定对。因为《西厢记》中确有许多本色、当行的语言对塑造人物起到很好的作用。李渔就曾指出:“填词中方言之多,莫过于《西厢》一种。”方言即指一地的日常生活用语,对于元剧来说,最称本色。

(王万庄《王实甫及其(西厢记)》,时代文艺出版社1990年版)

在材料乙的空格处各填一个字()。

A.钟、深、热、清

B.热、深、钟、清

C.深、钟、清、热

D.清、深、热、钟