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问题 填空题
阅读短文，从方框中选择合适的词语，并用其适当形式补全短文。
but, take place, in the past, go to work, used to be
     Over the past ten years, great changes (1)________ in our hometown. (2)________, the houses in
our hometown were very old, (3)________ now most of the people have moved into tall buildings. The
water in the river (4)________ very dirty, but now the river is very clean, and we can swim in it. People
here used to walk or ride bikes, but now they can take buses or drive their own cars (5)________.
答案

1. have taken place   2. In the past   3. but      

4. used to be   5. to go to work

单项选择题

辛弃疾的作品集是( )

A．《淮海词》
B．《漱玉词》
C．《清真词》
D．《稼轩词》
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单项选择题

Sofia Coppola’s "Lost in Translation" is a funny, bittersweet movie that uses cultural dislocation as a metaphor for people who have gotten lost in their own lives. The movie contains priceless slap-stick from Bill Murray, finely tuned performances by Murray and the beautiful Scarlett Johansson and a visual and aural design that cultivates a romantic through melancholy mood. In only her second feature, Coppola has made a poised, intelligent film that nicely balances laughs with a poignancy rarely seen in American movies. If Focus Features markets "Lost in Translation" carefully, this most original comedy could win audiences well beyond art houses.
Bob Harris (Murray) is a grumpy movie star in town to shoot a whiskey commercial. He is not only plagued by jet lag and gloom over a deteriorating marriage of many years, he is also in the midst of a midlife crisis that dampens his spirits but not his wit.
Charlotte (Johansson) , the neglected wife of a photographer, experiences a similar air-condl-tioned nightmare. Married two years, she already feels lost in the relationship, unable to partici-pate in her husband’s career or pinpoint what she wants out of life. When she ventures into the city, she is confronted by a distorted version of Western modernity.
These two people discover each other late at night at the bar. Neither one can sleep. A friend-ship evolves in their mutual isolation.
Coppola sees in Tokyo’s crowded, neon-lit urban landscape a society estranged from its own culture. The night is filled with pleasure-seekers obsessed by games, toys and American pop culture. Only when Charlotte takes a train to Kyoto is she able to experience the old Japan of ancient temples and gardens, tea houses and kimono-clad figures. This role fits Murray like his own skin. A middle-aged burnout who sees no challenges on his horizon gradually changes into a man revitalized by another alienated soul. His comic touch enriches the character with a self-deprecating wit and in a few sequences, a rubbery physicality that earns sustained laughs. Johansson makes Charlotte’s loneliness and disillusionment palpable as the woman is cut off from life in ways she never imagined.
Using high-speed film stock, cinematographer Lance Aeord gives the glaring neon and num-bingly sleek interiors a kind of romantic sheen. The score produced by Brian Reitzell created out of Japanese musical themes and "Tokyo dream-pop" adds to the sense of an Eastern city that has succumbed in large measure to Western culture.

The word "slapstick" underlined in Paragraph 1 is closest in meaning to ______.

A．farce

B．soap opera

C．idol play

D．science fiction
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