问题 选择题

马克思主义的产生,与下列哪些国家和地区的历史经验有密切关系:(  )

A.美英法

B.英法俄 

C.美法德

D.英法德

答案

答案:D

题目分析:马克思主义的产生,其思想来源是德意志的古典哲学、英国的古典政治经济学、英法的空想社会主义。因此选D。

点评:马克思主义诞生的条件:(1)经济前提:资本主义经济迅速发展,资本主义制度的各种弊病也日益暴露,社会矛盾日益突出。(2)思想来源:马克思、恩格斯批判地继承了德意志的古典哲学、英国的古典政治经济学、英法的空想社会主义。(3)阶级基础:19世纪三四十年代,法国、英国和德意志爆发了大规模的工人运动,表明工人阶级的觉醒。(4)实践基础:马克思和恩格斯深入工人群众,总结工人运动经验,深刻揭露和分析资本主义制度;1847年出席 * * 主义者同盟代表大会,负责起草同盟纲领。

单项选择题 A1/A2型题
填空题


A How to Use a Painting Knife 使用画刀的方法
Painting with a knife is a bit like putting butter on bread and produces quite a (1) result to a brush. Painting knives are excellent for producing textured, impasto work and (2) areas of flat colour.
What’s the difference between a palette knife and a painting knife
A palette knife is a long, straight spatula that is used (3) mixing paints and scraping a palette clean. They’re made from metal, plastic, or wood and (4) either be completely straight or have a slightly bent handle. A painting knife has (5) large crank in the handle, which takes your hand away from the painting surface. They (6) in numerous shapes(for example pear-, diamond-, or trowel-shaped) and are used for painting (7) of a brush. The edge of the knife is blunt, so that it doesn’t cut the (8) .
·What shape of painting knife should I use
Different shaped painting knives produce different effects. For example, a short blade produces angular strokes (9)a long blade makes it easy to put down sweeps of colour.
·Why can’t I use a palette knife to paint with
You can. Painting (10) just have the advantage of coming in more angular shapes and with sharper points. And (11) larger crank in the handle means there’s less chance of rubbing your knuckles into wet (12) . If you’re unsure whether you’re going to enjoy painting with a knife, first buy a (13) , plastic palette knife and experiment a bit with this before upgrading to a wood-and-metal knife.
·How do I use painting knife
(14) the handle firmly so you’re got good control. Pick up some paint off your palette (15) the tip, as you’d pick up some butter with a knife. Use the side of the (16) to spread paint across your canvas, or press it onto the canvas, as you (17) spread butter across a slice of bread.It’ll seem strange at first as it’s quite (18) to using a brush. Using just the tip of the blade will produce small dots. (19) the edge of the knife down will produce fine lines. Pressing the blade flat down (20) the paint will produce ridges. Scrape back into the paint to reveal underlying layers (called sgraffito).