问题 阅读理解与欣赏

山中闻杜鹃

[宋] 洪 炎

山中二月闻杜鹃,百草争芳已消歇。

绿阴初不待熏风,啼鸟区区自流血。

北窗移灯欲三更,南山高林时一声。

言归汝亦无归处,何用多言伤我情。

[注]洪炎为北宋末年诗人,此诗作于金兵侵宋,洪炎逃难之时。

小题1:这首诗最突出的表现手法是什么,请结合诗句作简要分析。(5分)

小题2:这首诗是作者泣血之作,联系全诗,简述诗人表达了哪些思想感情。(6分)

答案

小题1:(5分)托物言志。(2分)作者通过在诗中塑造的悲啼不已、无家可归的杜鹃形象,抒发了自己沉痛的心情。(3分)(答“衬托”,“运用典故——杜鹃啼血”也可,酌情给分)

小题2:(6分)诗中表达了作者①对自己四处流徙、无所依归的无尽感慨;②时局动荡、国破家亡的沉痛心情。(每点3分)

小题1:题目分析:杜鹃啼血,在诗歌中其代表忧愁。“言归汝亦无归处”虚指杜鹃,实指诗人自己。抒发出对家乡的深切思念。

点评:表现技巧是诗人用来抒发情感、表达题旨的一种手段方法,要准确回答就要熟悉古诗中常用的一些表现方法。①修辞手法:比喻、对偶、夸张、对比、拟人、双关等。②描写手法:A.衬托手法,又分正衬和反衬,反衬又有动静衬、声寂衬、乐哀衬等;B.侧面描写;C.虚实结合;D.象征手法等。③抒情手法:直抒胸臆和间接抒情,间接抒情又有借景抒情、托物言志和托物寓理三种。

小题2:题目分析:江南二月,百花盛开,春光灿烂,可诗人却说已是“百草争芳已消歇”,“二月春风似剪刀”,可诗人却说不见南风吹来,这是为什么呢?国难当头,再美的景色也变成不美了。加上“至今犹劝别人归”的杜鹃的悲鸣,“料不啼清泪长啼血”,自然亡国之恨顿生。由此可见,自然景物被诗人情感化了,并随着诗人的心情的变化而变化。

点评:诗歌借助具体的语言描写,来表现诗人的感情,传达诗人的思想,这些感情和思想就是我们所说的“思想内容”。无论是忧国忧民之情、国破家亡之痛,还是游子逐客之悲、征夫思妇之怨,无不感人至深。对于古典诗歌所表达的思想感情,如果稍微细致地加以归类,我们不难发现,有忧愁、寂寞、伤感、孤独、恬淡、闲适、热爱、赞美、仰慕、激愤,坚守节操、忧国忧民等各种类型。

问答题 简答题
单项选择题

Tuning in round the clock, via satellite or internet blog, to any bout of mayhem anywhere, you might not think the world was becoming a more peaceable place. But in some ways it is, and measurably so. A recent Human Security Report released by the Liu Institute at the University of British Columbia registers a 40% drop in the number of armed conflicts between 1992 and 2003, with the worst wars, those claiming more than a thousand lives in battle, down by 80%. While 28 armed struggles for self-determination ignited or reignited between 1991 and 2004, an encouraging 43 others were contained or doused.

Yet measured in a different way, from the point of view of the half of the world’s population that is female, argues the Geneva Centre for the Democratic Control of the Armed Forces, the world is an awfully violent place, and not just in its war zones. Men still fill most of the body bags in wartime, including in civil wars, even on DCAF’s figures, but their sisters, mothers, wives and daughters, it argues in a new report entitled "Women in an Insecure World", face nothing short of a "hidden gendercide".

Violence against women is nothing new. DCAF’s contribution is to collate the many figures and estimates—not all of them easily verifiable, it has to be said—on everything from infanticide to rape (in both war and peace), dowry deaths, sex trafficking and domestic violence (in richer countries as well as poorer ones).

According to one UN estimate cited by DCAF, between 113m and 200m women are now demographically "missing". This gender gap is a result of the aborting of girl foetuses and infanticide in countries where boys are preferred; lack of food and medical attention that goes instead to brothers, fathers, husbands and sons; so-called "honour killings" and dowry deaths; and other sorts of domestic violence. It implies that each year between 1.5m and 3m women and girls are lost to gender-based violence. In other words, every two to four years the world looks away from a victim count on the scale of Hitler’s Holocaust. Women between the ages of 15 and 44 are more likely to be maimed or die from violence inflicted one way or another by their menfolk than through cancer, malaria, traffic accidents or war combined. Poor health care means that 600,000 women are lost each year to childbirth (a toll roughly equal annually to that of the Rwandan genocide). The World Health Organisation estimates that 6,000 girls a day (more than 2m a year), mostly in the poor world, undergo genital mutilation. Other WHO figures suggest that, around the world, one woman in five is likely to be a victim of rape or attempted rape in her lifetime.

Hitler’s Holocaust and the Rwandan genocide are mentioned in the text with the aim to()

A. provide a concrete concept of the statistics related to gender-based violence and poor health care

B. exemplify the inhumane action conducted by German Nazi during World War Ⅱ

C. count the victims who are now demographically "missing"

D. take into the account women who are more liable to be maimed or die from violence